Glitch As Symbolic Form Rob Myers takes us on a short historical journey of Glitch as an aesthetic signifier of technological presence that dates back at least to the 1980s. Referencing the Vaught-Kampf machine in Blade Runner (1982), the titular character in Max Headroom (1985). And how the use of Glitch as an artistic aesthetic in itself has accelerated with the democratisation of new technologies.
http://www.furtherfield.org/features/articles/glitch-symbolic-form -- ---> A living - breathing - thriving networked neighbourhood - proud of free culture - claiming it with others ;) Other reviews,articles,interviews http://www.furtherfield.org/reviews.php Furtherfield – online arts community, platforms for creating, viewing, discussing and learning about experimental practices at the intersections of art, technology and social change. http://www.furtherfield.org Furtherfield Gallery – Finsbury Park (London). http://www.furtherfield.org/gallery Netbehaviour - Networked Artists List Community. http://www.netbehaviour.org http://identi.ca/furtherfield http://twitter.com/furtherfield _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
