<http://www.furtherfield.org/gallery>





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*You are cordially invited to the opening event of /Glitch Moment/ums/*
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<http://www.furtherfield.org/programmes/exhibition/glitch-momentums>


     Saturday 08 June 2013, 2-5pm

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*Exhibition & Events*
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*Opening Event*
Saturday 08 June 2013, 2-5pm
with *glitch performance by Antonio Roberts* at 3pm

*Exhibition Opening times*
Sunday 09 June - Sunday 28 July 2013
Open Friday to Sunday 11-5pm

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*About /Glitch Moment/ums/*
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*Curated by Rosa Menkman & Furtherfield.*

*
Featuring: Alma Alloro, Melissa Baron, Nick Briz, Benjamin Gaulon, José Irion Neto, Antonio Roberts and Ant Scott*

/“The glitch makes the computer itself suddenly appear unconventionally deep, in contrast to the more banal, predictable surface-level behaviours of ‘normal’ machines and systems. In this way, glitches announce a crazy and dangerous kind of moment(um) instantiated and dictated by the machine itself.”/ Rosa Menkman.

Glitches are commonly understood as malfunctions, bugs or sudden disruptions to the normal running of machine hardware and computer networks. Artists have been tweaking these technologies to deliberately produce glitches that generate new meanings and forms. The high-speed networks of creation and distribution across the Internet have provided the perfect compost to feed this international craze. This exhibition shows various approaches by artists hacking familiar hardware and their devices which include mobile phones, and kindles. They disrupt both the softwares and the digital artefacts produced by these softwares whether it be in the form of video, sound, drawing or woven glitch textiles.

+ More information about the exhibition <http://www.furtherfield.org/programmes/exhibition/glitch-momentums>

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*Location*
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Furtherfield Gallery & Social Space <http://www.furtherfield.org/gallery>
McKenzie Pavilion, Finsbury Park
London N4 2NQ
MAP <http://www.furtherfield.org/gallery/visit>

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*Transport*
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Tube: Manor House, Finsbury Park
Buses: 141, 341, 153, 253, 254, 259, 29, 4, N253, N279, N29
Train: Finsbury Park, Harringay, Harringay Green Lanes stations

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*About Furtherfield*
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Furtherfield provides platforms for art, technology and social change. Funded from Arts Council England since 2005, Furtherfield is now one of Arts Council England's National Portfolio Organisations. Furtherfield Gallery has established an international reputation as London's first dedicated gallery for networked and media art, hosting regular exhibitions and public events since 2004. With the support of Haringey Council the gallery is now based at McKenzie Pavilion in the heart of Finsbury Park.

+ For more information contact [email protected] <mailto:[email protected]>

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*Furtherfield is supported by Haringey Council and Arts Council England through the National Portfolio funding programme.*

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<http://www.artscouncil.org.uk/>Furtherfield <http://www.furtherfield.org> - A living, breathing, thriving network
for art, technology and social change since 1997

--
Alessandra Scapin
Furtherfield Producer

Furtherfield - A living, breathing, thriving network
http://www.furtherfield.org - for art, technology and social change since 1997

Furtherfield
Furtherfield Gallery, McKenzie Pavilion
Finsbury Park, London N4 2NQ
T +44(0)208 802 2827
M +44(0)7717 887923
www.furtherfield.org

Furtherfield is a Not-for-Profit Company limited by Guarantee registered
in England and Wales under the Company No.7005205. Registered business
address: Ballard Newman, Apex House, Grand Arcade, Tally Ho Corner, London N12 
0EH.

--
Alessandra Scapin
Furtherfield Producer

Furtherfield - A living, breathing, thriving network
http://www.furtherfield.org - for art, technology and social change since 1997

Furtherfield
Furtherfield Gallery, McKenzie Pavilion
Finsbury Park, London N4 2NQ
T +44(0)208 802 2827
M +44(0)7717 887923
www.furtherfield.org

Furtherfield is a Not-for-Profit Company limited by Guarantee registered
in England and Wales under the Company No.7005205. Registered business
address: Ballard Newman, Apex House, Grand Arcade, Tally Ho Corner, London N12 
0EH.

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