Hi Aharon
I agree, it's sad we have to pay, but suppose they have to find a way to
pay the costs and even make a profit if they can.
This issue does sound really interesting... the Tiziana Terranova interview
sounds especially good.
€42 per year is a lot. Maybe artists should get it for free, but then
everyone would say they're an artist!
dave


On 3 July 2014 13:40, ahanon <[email protected]> wrote:

> Hiyas,
>
> This spike art issue Sounds interesting, however by charging for reading
> it, kind of feels like Being disenfranchising, in some ironic opening with
> the current issue's theme seeming spirit.
>
> Perhaps underlining a difference between epistemology and ontology?
>
> Anyhow.. Being non ideologocal about this:
> http://www.spikeart.at/en/i/magazin/back/No__40___Sommer_2014
>
> Perhaps others will view differently.. ;)
>
> Cheers from uber sunny Berlin..
>
> Aharon
> xx
>
> Issue 40 out now:
> Art under Capitalism
>
> www.spikeart.at
> Order or subscribe here.
> Download the art-agenda iPad App   Sharefb.giftw.gif
>
> Dear friends,
>
> The heat is on, and our summer issue is out.
>
> Themed Art under Capitalism, the magazine includes an acerbic and revealing
> conversation about the bleak future of art between curator Daniel Baumann
> and dealer
> Gavin Brown, who started his gallery in downtown Manhattan in 1993 and
> soon became
> one of the cutting-edge figures of the New York scene. Italian left-wing
> theorist
> Tiziana Terranova talks with Stefan Heidenreich about living in an age of
> debt,
> German critic Kolja Reichert reflects on how the ascendance of art is a
> symptom of
> the devaluation of money, while writer Jon Leon interviews LA artist Alex
> Israel
> about nostalgia, style, and taste. The cult curator Bob Nickas thinks back
> on the
> career of Laurie Parsons, who quit the art world soon after joining it in
> the 1990s.
> And Adam Kleinman profiles Austrian artist Rainer Ganahl and his
> fascination for
> left-wing figures like Lenin, Mao, and Marx.
>
> In addition, Spike's new online editor Timo Feldhaus writes about Jordan
> Wolfson's
> hugely expensive and notorious dancing robot (Female figure) 2014, and
> writer
> Michele D'Aurizio pitches Curzio Malaparte's novel The Skin as a lesson in
> humanity
> and suffering, while American science-fiction author Mark von Schlegell
> contributes
> a new short story about an unstoppable horde of children, and Paul Maenz
> remembers
> the legendary but very short exhibition Dies alles Herzchen wird einmal
> dir gehören
> that took place one evening in Frankfurt in 1967.
>
> Also: Chisenhale Gallery Director Polly Staple presents her Curator's Key,
> Gustave
> Courbet's A Burial at Ornans, Spike editor Alexander Scrimgeour writes on
> the
> experimental political economy of the Artist Pension Trust, Andrew M.
> Goldstein and
> Homa Zarghamee puzzle over the buzz of buying art, and Amsterdam-based
> design and
> research studio Metahaven lists its Artist's Favourites. And Peter Pakesch
> pays his
> respects to one of Austria's greatest painters, Maria Lassnig, who passed
> away in
> May.
>
> This time, artists Nina Beier and Ashley Bickerton, consultant Alex
> Hunter, curators
> Maximilian Geymüller and Chris Sharp contribute to our much-loved section
> Seduction
> or The Things We Like. And our columnists The Pfaff Brothers are marking
> time with
> sheets of paper.
>
> Reviews from…
> Vienna: Mladen Stilinovi&#263; (Galerie Martin Janda) by Christian
> Hoeller, Rabih
> Mroué (Wiener Festwochen) by Ines Kleesattel, Attention Economy
> (Kunsthalle Wien) by
> Christian Egger, Damien Hirst/Arnulf Rainer (Arnulf Rainer Museum) by Nina
> Schedlmayer
> Salzburg: Ana Mendieta (Museum der Moderne) by Ines Gebetsroither
> Berlin: 8th Berlin Biennale by Raimar Stange, Chris Martin (KOW) by Elvia
> Wilk, Ned
> Vena (Société) by Kirsa Geiser
> Munich: Matthew Barney (Haus der Kunst) by Daniela Stöppel
> Basel: Paul Chan (Schaulager) by Simon Baier
> Bern: Shimabuku (Kunsthalle Bern) by Daniel Baumann
> Warsaw: A few grams of red, yellow & blue (CCA) by Agata Pyzik
> Eindhoven: Hito Steyerl (Van Abbemuseum) by Daniel Herleth
> London: Haim Steinbach (Serpentine Gallery) by Oliver Basciano
> New York: Whitney Biennial by Tim Griffin
> Mexicali: Elias Fontes Art Collection by Chris Kraus
>
>
> Have a nice summer! We'll be back in September with a very special
> issue—it's
> Spike's tenth anniversary, hooray.
>
> Spike 40 will be available at newsstands outside of Europe in
> approximately one
> week. Please be patient, or order it directly from us.
>
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>
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