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On 04/09/14 05:19 PM, Joel Weishaus wrote:
> 
> I think you're wrong about this. She concludes:
> 
> "There was, until recently, virtually no art history that ever
> asked how women or African-Americans, or non-Europeans 'influenced'
> the direction of art, or even traced any kind of links between such
> artists and the canonised white men. It is the kind of art history
> practiced in today’s universities, rather than the auction houses,
> that is asking precisely these bigger questions."

I'm arguing that this activity isn't the challenge to "auction houses"
that it's presented as.

Linking art by "women or African-Americans, or non-Europeans" to "the
canonised white men" will provide it with the kind of provenance that
is important for selling artworks at auction.

So those "big questions" have answers that are no more resistant to
the art market than it's alleged those of connoisseurial art history are.
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