I LOVE YOUR POINT ALAN

2015-03-07 18:42 GMT+01:00 Alan Sondheim <sondh...@panix.com>:

>
>
> Being alarmist, I'm not sure what the point of categorization is here?
> I think one of the main issues in general this month, is that of
> categorization - in fact are "netartizens" a class? I'd question all these
> categories, which also is indicated by the names cross-pollenating your
> categories.
>
> - Alan
>
> On Sat, 7 Mar 2015, Patrick Lichty wrote:
>
>
>> I need to get out of the extremist categories!
>>
>>
>>
>> From: netbehaviour-boun...@netbehaviour.org
>> [mailto:netbehaviour-boun...@netbehaviour.org] On Behalf Of Randall
>> Packer
>> Sent: Saturday, March 07, 2015 8:34 AM
>> To: NetBehaviour for networked distributed creativity
>> Subject: [NetBehaviour] A Catalogue of Net Behaviours
>>
>>
>>
>> What an extraordinary chorus of voices we have here on the NetBehaviours
>> List! As a composer, I am interested in how all the parts harmonize
>> together
>> polyphonically, rub up against each other contrapuntally, provide a sense
>> of
>> direction and perspective as the lines & melodies of our utterances
>> collectively play out.
>>
>>
>>
>> So here is a first pass at some categorical distinctions to provide us
>> with
>> a ?social taxonomy? of net behaviourism: (I welcome all revisions &
>> additions!)
>>
>>
>>
>> Enjoy, Randall
>>
>>
>>
>> The Alarmists
>>
>> @BishopZ >>>>> The Internet of Things will inevitably consolidate
>> corporate
>> power over our personal liberty.
>>
>> @Alan >>>> The digital, I think, is unbearably fragile; not only is
>> privacy
>> lost, but we are not prepared, and can't prepare, for the attacks and
>> corrosion to come.
>>
>> @Patrick >>>> I see a more profound short-term sense of (pessimism) in the
>> youth in my regions of interaction.
>>
>> @Dave >>>> The new breed of technologies might make it more obvious that
>> government is entirely obsolete.
>>
>> @Rob >>>>>>> The Cultural Smog Of The Internet? a paralysing weight rather
>> than an inspiring force.
>>
>> @Mez >>>>> Whatever the magnitude/form, online dialogues appear to be
>> flooded with antagonistic commentary.
>>
>>
>>
>> The Cynics
>>
>> @Alan >>>>> Do you honestly believe, with all the
>> hacking/corrosion/cyberwarfare going on, that regulations will make the
>> slightest bit of difference?
>>
>> @Edward >>>> But don't hope for too much. They guys with the money hold
>> all
>> the good cards.
>>
>> @Isabel >>>>> It's worth being an artist for all sorts of reasons, but not
>> particularly for social change.
>>
>> @Simon >>>> jumping on the digital bandwagon seems pointless.
>>
>> @Karl >>>> there is a word for actor and audience in the social media
>> realm:
>> prosumer!
>>
>> @Ruth >>>>> From the perspective of the platform providers, the purpose of
>> the users actions and interactions is to squirt lucrative data.
>>
>> @James >>>> the lines (of communication) are already open, we're just
>> sending information back and forth along them
>>
>>
>>
>> The Realists
>>
>> @Ruth >>>> Netartizen #tip3 Social media platforms such as Twitter,
>> Facebook, Tumblr are not public
>>
>> @Johannes >>>>>>>>> "(I) find the idea of artizen nation objectionable.
>>
>> @Paul >>>> We all think we're creating important and relevant work but if
>> the future doesn't come up with a way to extract and preserve it, then it
>> probably didn't mean that much to them.
>>
>> @Marc >>>> What future artists need to know is that they can make their
>> own
>> contexts beyond the given structures, shoved down their metaphorical
>> gullets
>>
>> @Edward >>>> I'm not sure I feel like a citizen of the net.
>>
>> @Isabel >>>> there may be some degree of privilege involved in the
>> possibility of being/contributing as a Netartizen/Netartisan.
>>
>>
>>
>> The Apocalyptic
>>
>> @Kath >>>>  if there is some pulse in the future which wipes all the
>> technology we'll be left with a gap from our digital/online years. let's
>> hope the libraries survive.
>>
>> @Patrick >>>>> I feel that social media and the rise of infopower like the
>> Arab Spring and ISIS, big data, stacks and Baynesian algorithms typify our
>> time.
>>
>> @Alan >>>> Who will be physical when the land is scorched? And perhaps
>> more
>> to the point, what are we, as NetArtizens doing/writing/ about it?
>>
>>
>>
>> The Hopeful
>>
>> @David >>>> Perhaps acting out of ignorance (is) an opportunity to create
>> something that is truly new.
>>
>> @Rob >>>> Claiming privatised (network) space for the public that is
>> (supposedly economically) exploited to give it its value, and doing so
>> under
>> the banner of art, is a political strategy (for those of us who like
>> political strategies) that has the potential to wrong-foot affective
>> capital's enclosures.
>>
>> @Rob >>> Let's make a net we want to be citizens of, for a while.
>>
>> @Helen >>>>  I have long hunted for a good word for this - for audiences
>> that are participating in a really creative way in a work - & i don't just
>> mean the "interactivity" of pressing a button or something like that. i
>> mean
>> co-authoring in a way that they can insert their own creativity &
>> alter/influence the work.
>>
>> @Randall >>> The modern day database, content management system, and
>> social
>> media offer new ways to fully integrate the artistic process into a
>> dynamically-shared, distributed network.
>>
>> @Ruth >>>> NetArtizen #tip1: initiate and participate in equal measure.
>>
>>
>>
>> The Poets
>>
>> @Bill >>>> would be nice to have MANIC responses
>>
>> @Ruth >>>> NetArtizen #tip2 There is no one We
>>
>> @Mez >>>>> N.Et.A[l]rtizen #[s]tip[ewe.lation]3:
>> S[m]o[dalities+fun]c[t]i[ons_]al[ways]media[ate]platform[at]s.
>>
>> @Alan >>>>> cultural heritage
>> = 0000000067141066147020145071157060440063556066145063040
>>
>> @Dark >>>> 404 FILE NOT FOUND I am still alive
>>
>>
>>
>> The Dreamers
>>
>> @Gil >>>>> I find out more about the world we live in from netbehaviour
>> than
>> from anywhere else.
>>
>> @Randall >>> Let?s conceptualize an approach to networked systems that can
>> be expressed with any social media platform we may invent or even dream
>> of.
>>
>> @BishopZ >>>> I had a dream one time of teams of artists paratrooping into
>> troubled areas - delivering theatrical re-interpretations of local
>> mythology
>> - explaining in local vernacular the torment that locals faced.
>>
>>
>>
>>
>>
>>
> ==
> email archive http://sondheim.rupamsunyata.org/
> web http://www.alansondheim.org / cell 718-813-3285
> music: http://www.espdisk.com/alansondheim/
> current text http://www.alansondheim.org/tc.txt
> ==
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