On 18/03/15 21:22, Rob Myers wrote:
On 17/03/15 11:38 AM, ruth catlow wrote:
I hear that the Internet is disappearing - from our screens into our stuff.
I have always enjoyed the slippery nature of meaning-making across
digital and physical realms.
And I am thinking harder now about what it will mean for art that we can
make so many different kinds of "things" act as the collection point for
different kinds of sense data- heat, pressure, acceleration, radiation,
tilt, sound, light, electric charge etc- and then do something with it.

To try to help me to think about it I have created a series of
triptychs. These are the first of them. Warms and Shods
I love these. They are surprising, provocative and rewarding.
Oh thanks Rob- I'm so pleased that you liked them.
There's
echoes of Kosuth's "1 and 3 Chairs",
I didn't know this particular work. I'm appreciate 'conceptual' art more and more, since I started allowing myself to enjoy the physicality and sensuality of the work and stopped worrying about descriptions of conceputual art that pit the 'idea' against 'finished product' - and allow whole integrated experience to play wild and free. tumbling between thought, puzzle, sense, ethics, relationships, material, emotion, situation, play etc etc.
  Danica Phelps's drawings of
everyday life and costs, and
Yes! I really like her work
  (throwing modesty to the wind) of my
Paintr, which searches for tags.
I can't find it - link please!

but I did find this
*
"Baldessarinator, 2011, Python script.* A script in the Python programming language that modifies images to make them resemble part of an ouvre."
http://robmyers.org/baldessarinator/**

at last a use for facial recognition software that I can get with :)


  But they're more of a challenge to the
viewer than those are now, covering more cognitive and socioeconomic ground.
I felt that they were covering this ground somehow- dead chuffed that you think so too.
Thanks Rob.



- Rob.




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