[ this message contains no predatory institutional-spam ] Banzai Films: for a limited time -- free as I make 'em: sudden/short/small mp4 films loosely based on the japanese tsunami in 2011 -- includes improvised kite-cam shoreline-imagery with contemporary phased audio pastiche...
latest films (not currently available): ? http://iabrace.com banzai7-6-11.mp4 ? http://iabrace.com banzai6-6-11.mp4 ? http://iabrace.com banzai5-6-11.mp4 ? http://iabrace.com banzai4-6-11.mp4 ? http://iabrace.com banzai3-6-11.mp4 ? http://iabrace.com banzai2-6-11.mp4 ? http://iabrace.com banzai1-6-11.mp4 ? ? 2011 banzai films by brad brace: http://www.iabrace.com/ please download, then view: 176*144 vlc recommended; these films were all made with a palm-sized $100 camera and perplexing open-source software; the artist has been refused corrupt-bogus cultural/institutional funding, employment, and representation for 40 years; the time has long come to wash-away this stupidly-obscene feudal arts-system. For every star-driven enterprise there are corollary benefits for those who support it and keep their mouths shut. Admit the truth and have it retched from your complicit corporate gullets. Criminal institutions who perpetuate the malicious scam of "art history" shall have their plunder expropriated and denizen/acolyte perquisites terminated. De-fund the arts to end the evil global empire. banzai! ($50 dvd pre-orders include the molecular-recidivist-cultural essay "fire ring theory" and available through http://bradbrace.net/buy-into.html ) ~ earlier filmworks include: "silent innings" are curious little mp4s of a nicaraguan baseball scoreboard made in 2008; fanboat films are short mp4 artworks by brad brace, originally posted on facebook in 2009 -- wild outboard sax music amid shifting layered imagery inspired by florida fanboats and columbia river barge traffic -- special bonus collection: matchbook movies from 1984 (small quicktime movies intended for looped-viewing in a corner of your desktop) over 87 films in all! http://tinyurl.com/43g8w52 http://stores.lulu.com/bbrace ($65/dvd lulu or $50 from me) /:b You cannot politically defy the institutions when all you really wanted was to be clasped to their bosoms and hope in time to be cherished under the very framework of oppressive values you are thinking of overcoming. That would be co-optation, revolution only in the sense of a circulation of elites rather than the extirpation of the very impulses of elitism. To subscribe to 12-list, simply send a message with the word "subscribe" in the Subject: field to [email protected] most institutional-art of the mediocre-evil-empire remains bound up with sign-play: it's a meta-art largely dependent on its echoes of past psuedo-radicalism, or conversely on its witty frisson-laced inversions of orthodox notions of what makes art edgy, experimental, important... but when art styles finally shed all those ghost traces of corrupt history and achieve a perfact non-referential blankness, the past will cease to be a museum or even an archive, and become a simply a set of resources: materials to be used without reverence or nostalgia... no longer pointing to the past, art will be ready to reconnect to the world happening beyond the screen... WESTERN SAHARA: REFUGEES HOLD FILM FESTIVAL http://bit.ly/lDItZR Western Sahara? eighth Sahara International Film Festival (known as FiSahara), the world's most remote film festival, took place in early May this year deep in the Algerian desert. The festival is located in a refugee camp 130 miles from the nearest town in the Algeria desert and aims to offer entertainment and educational opportunities to the refugees as well as raise awareness of a forgotten humanitarian crisis. The refugees are Saharawi? from Western Sahara - occupied unlawfully by Morocco in 1976 - and an estimated 165,000 of them have lived in four camps for over three decades. /:b The liberal idea of an appropriate balance between security and liberty is an illusion. The only vision the security paradigm offers us - with the pernicious technologies and its perverse logic which grips us in a double bind - is an empty, controlled, over-exposed landscape from which all hope of emancipation has faded, and where all we have left to do is obsessively measure the risks posed to our lives from the ever-present specter of catastrophe.
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