Inverse Dynamics Processing http://www.alansondheim.org/bctrip2053.jpg http://www.alansondheim.org/morphism0.mp3 giraffe banjo http://www.alansondheim.org/morphism1.mp3 cifteli http://www.alansondheim.org/morphism2.mp3 giraffe banjo http://www.alansondheim.org/morphism3.mp3 echo harmonica instruments: http://www.alansondheim.org/bctrip2009.jpg cifteli http://www.alansondheim.org/bctrip2010.jpg giraffe banjo The process is irreversible, the morphisms non-abelian, although t -> -t -> t is reversible. The process also depends on hard-limiting, which transforms the input structure; the operation is two-staged: Think of the operations as a fundamental inversion of amplitude, a form of energy conversion, f(x) -> 1/x for example, x ranging between, say, (0,2). The practical result is the audibility of the surrounding environment and the player's body and play processes; the normative instrumental sound is backgrounded (what is taken as acceptable sound, as music, for example). (It feels like a form of channeling, an introjection of alien material in relation to a trialog among body, electronics, acoustic instruments. Or a projection of such sound. Or sound speaking through loud speakers. Or speakers channeling amplitude. Or speakers channeled. Or inversions of any of these.) _______________________________________________ NetBehaviour mailing list [email protected] http://www.netbehaviour.org/mailman/listinfo/netbehaviour
