Hi, Alan.

It's a really strange method - I've been putting my poorly edited interview audio through Dragon Dictate for the first few chapters, then I started experimenting with Podcasts like Jeremy Bailey's, but that worked too well. So I started REVERSING them, and it still worked. So I tried Radiolab and 99 Percent Invisible. Those worked, too, even backwards - the software tries to make a sensible bit of grammar.

THEN I tried the Trump Press conference - forward it worked too well - pathetic. So I reversed it, and I got narratives about spies and Yellow Snow. You'll see - I'll probably have this in David Guillo's hands for layout in a couple weeks for his Abstract Editions series.


On 3/3/17 7:00 PM, Alan Sondheim wrote:


Like this and wonder how it was written? And unfortunately, we're having midnight; last night dreamed we were in a warzone, our cat (in the real world, deceased) was getting shot at for target practice...

On Fri, 3 Mar 2017, Patrick Lichty wrote:


The only little things I realize satisfied me were just unconscious
gestures. When they do, does it have, have a does have full internal
construction. Yes, it?s that I that I want to keep things within certain
parameters noted. There geometries are there for other reasons to make best
what it looked like the Senate. These are there student and Islamist
possibilities of 14. If you are available to where you want to go
consistently, sculpture special ones and emotional needs, and yet the
interesting thing is that I said to you, you know, this this this is the
really interesting conceptual conceptual material discourse of forceful
translation sizing two people?s works. It would sure be nice to be having midnight, I mean stamping, but I know what I am addressing itself. Written in the 60s 70s, and in that I'm universally sunny, throwing three or four generations that overlap each other for that contest the right. The inflow of fluxes of minimalism that God individualizes, like GE chicken maxi, is a fantastic thing. The thing about insulin is that it is instructively slow,
so I stopped the statue's exit strategy.




==
email archive http://sondheim.rupamsunyata.org/
web http://www.alansondheim.org / cell 718-813-3285
music: http://www.espdisk.com/alansondheim/
current text http://www.alansondheim.org/ul.txt
==
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