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SOCIALEAST 
Forum on the Art and Visual Culture of Eastern Europe

SEMINAR NO.1 - ART AND IDEOLOGY 
Manchester Art Gallery 
12-5pm Friday 6 October 2006

The focus of the first SocialEast Seminar will be the relationship between art 
and ideology in the context of the recent history of East European art. 
Specific issues that will be addressed include: the writing and rewriting of 
East European art history; the role of exhibition strategy, museology and 
curating in the reconstruction and reappraisal of the history of art in East 
Central Europe; contemporary artists’ projects dealing with the legacy of the 
art of the socialist period from conceptualism to socialist realism; and 
theorising the contradictions between national, regional and international 
accounts of East European art.

SPEAKERS

Boris Groys (Professor of Aesthetics, Art History, and Media Theory, Karlsruhe)

Ulrike Goeschen  (Curator Frankfurt)
‘From Socialist Realism to Art in Socialism: The reception of Modernism as an 
instigating force in the development of art in the GDR’

Alina Serban (Curator Kunstahalle Fridericianum, Kassel)
‘The lost dimension: The collectivization of modernism and the last generation 
of Romanian avant-garde’ 

Piotr Piotrowski (Professor of Art History at Adam Mickiewicz University, 
Poznan)
‘How to Write a History of Central-East European Art’ 

ARTIST PRESENTATION: TAMAS ST.AUBY

Tamás St.Auby (Szentjóby) is a Hungarian artist, who in the mid-60s made 
happenings and environments, and was involved in both conceptual art and 
fluxus. In 1968 he established IPUT, the International Parallel Union Of 
Telecommunications, adopting a confrontational approach to the communist 
authorities, and was forced to leave Hungary in the mid-70s. He returned to 
Budapest in 1991 to join the newly-founded Intermedia Department of the 
Hungarian Academy of Fine Arts. In 2003 he established the ‘Portable 
Intelligence Increase Museum (Pop art, Conceptual art, Actionsm during the 60s 
in Hungary 1956-1976)’, to expose the flaws in official accounts of Hungarian 
art of the 1960s and 70s.

The SocialEast research forum considers the art and visual culture of Eastern 
Europe from the end of the Second World War to the fall of the Berlin Wall, 
through collaborative projects, exhibitions and seminars. The project is 
organised by MIRIAD Manchester Metropolitan University in collaboration with 
Pasts Inc. Central European University, the Institute of Art History Zagreb and 
other international partners.  For more details contact the project organiser 
Dr. Reuben Fowkes by email to [EMAIL PROTECTED] or see the project website 
www.socialeast.org 


Dr Reuben Fowkes
Research Fellow MIRIAD
(Manchester Institute for Research and Innovation in Art and Design),

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