.
Hello

Could you please be so kind as to post or circulate the following conference 
announcement on your emailing list?

MANY THANKS

- - 
Tina Weidner
Assistant Time-based Media Conservator 
Tate Collection, 7-14 Mandela Way
London SE1 5SR

t   +44 [0] 20 7887 8526
f   +44 [0] 20 7887 8585
m +44 [0] 79 6655 8943
[EMAIL PROTECTED]




> Shifting practice, shifting roles? Artists> '>  Installations and the museum 
> Tate Modern, Starr Auditorium, March 22nd 2007, 9.15 > ->  18.30
> £25 (£15 concessions), booking recommended. For tickets call 020 7887 8888 or 
> visit website 
> http://www.tate.org.uk/modern/eventseducation/symposia/7633.htm
> 
> This conference explores the idea that artists> '>  installations draw into 
> sharp focus the way in which contemporary artistic practice can shift the 
> organizational logic of the museum. Where is the dividing line between the 
> artist and the curator? How should artists> '>  installations be conserved 
> and reinstalled? How does this practice affect notions of artistic 
> authorship? This conference will look at places of friction and resistance 
> between contemporary art and traditional museum conventions, and consider how 
> the roles of conservator and curator are evolving in response to particular 
> artistic practices. 
> 
> 
> Saskia Sassen will examine how major global changes are reflected in some of 
> the basic tenets of the museum (Ralph Lewis Professor of Sociology at the 
> University of Chicago, and Centennial Visiting Professor of Political Economy 
> in the Department of Sociology at the London School of Economics)
> Jill Sterrett will consider the museum> '> s response to installation art in 
> terms of shifting practices within conservation and the challenges of 
> custodianship. (Director of Collections San Francisco Museum of Modern Art)
> Bruce Altshuler will present a paper on Exhibition, Collection, Re-creation 
> (Director of the Program in Museum Studies, Graduate School of Arts and 
> Science, New York University) 
> Claire Bishop will present a paper entitled What is a curator? in which she 
> will consider the simultaneous emergence of installation art, institutional 
> critique and the independent curator in the period 1968-72.  (Assistant 
> Professor in Art History at University of Warwick)
> Alex Farquharson will present a paper entitled When can an exhibition be a 
> work of art? In which he will consider the exhibition as work of art through 
> the practices of artist-curators, performative curators and experimental 
> exhibition designers (Freelance curator and critic and Research Fellow, Royal 
> College of Art)
> Teresa Gleadowe (Former Director of the Curating Contemporary Art Department 
> at the Royal College of Art (1992-2006), freelance curator and writer) 
> Moderator
> Vivian van Saaze will present a paper entitled Doing artworks. An 
> ethnographic study into a case study of the Inside Installations> '>  project 
> which explores how the acquisition, presentation and preservation of 
> installation art challenges the working practices of the contemporary art 
> museum with particular reference to the work of Pierre Huyghe and Philippe 
> Parreno. (Ph.D. candidate Maastricht University, Faculty of Arts and Social 
> Sciences, and the Netherlands Institute for Cultural Heritage) 
> Andrzej Przywara, a director of the Foksal Gallery Foundation, Warsaw, 
> Poland, will speak about issues raised by the project to preserve the studio 
> of Edward Krasinski in the Warsaw apartment he took over from the Polish 
> constructivist Henryk Stazewski.  He will also speak about work undertaken in 
> preparation for the retrospective exhibition of Krasinski> '> s work 
> presented by the Generali Foundation in Vienna last summer.
> Daniel Roesler, Gallery Nara Roesler, will speak about the reconstruction of 
> Oiticica> '> s Cosmococa > ->  CC4 Nocagions
> 
> The meeting is the last in a series organized across Europe as part of a 
> project funded by Culture 2000 > "> Inside Installations: the preservation 
> and presentation of Installation art> "> . 
> 
> 
> 
> 
> 
> 
> 
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