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Untitled Document
FOR IMMEDIATE 
  RELEASE
  August 2007
  PRESS CONTACT: Sarah Ryhanen
  212-966-7745 x 15 /sarah(at)exitart.org
ELECTRIC LAB
  Artists explore the potential and history of electricity
September 20- November 17, 2007
  Opening Thursday, September 20, 7-10 pmJamie 
  Allen, The Bruce High Quality Foundation, Kelly Dobson, Melissa Dubbin and 
Aaron 
  S. Davidson, Arthur Elsenaar and Remko Scha, Erik Guzman, Flash Light, LoVid, 
  Brendan McGillicuddy, Bryan Mesenbourg, Arnaldo Morales, Marco Roso, Simon 
Schiessl, 
  Gregory Shakar, Luke Stettner, Hap Tivey, Seth Weiner, Revel Woodard
  Electricity is one of life’s most fundamental forces; it courses 
  through our bodies and powers our computers. Today, the shortage and high 
cost 
  of electricity is a pressing issue. The rethinking of energy production and 
  consumption is imperative as we face depleted natural resources, 
environmental 
  damage, and exponential population growth.
  Electric Lab is dedicated to experimentation and art-making practices within 
  the ranges of electricity. Artists were asked to suggest new ways to access 
  electricity and explore its power. This exhibition is inspired by and 
dedicated 
  to the scientist Nicola Tesla, who desired free access to electricity for all.
  During the course of this exhibition, Exit Art will be transformed into an 
electric 
  laboratory in which artists will work everyday on individual, 
public-interactive 
  and collaborative projects.
  The exhibition includes projects from 21 international artists: 
  Jamie Allen builds an archaic hand-cranked generator through 
  which visitors can supply power to other works in the exhibition. 
  The artist collective Bruce High Quality Foundation will build 
  a quarter sized scale model of the BP filling station located adjacent to 
Exit 
  Art. Powered by lemons and limes, the replica hints at the ironies associated 
  with BP’s green rebranded image. 
  Kelly Dobson’s kinetic sculptural works explore the psychological 
  relationships we form with machines. 
  Collaborators Melissa Dubbin and Aaron S. Davidson fabricate 
  a neon sign that illuminates the rivalry between Tesla and Edison.
  Arthur Elsenaar and Remko Scha study the mechanisms of human 
  facial expression in the series Electric Eigen Portraits. 
  Erik Guzman’s sculptures use light and motion to covey 
  the kinetic energy of a celestial eclipse. 
  Flash Light explores renewable energy with a solar powered 
  tin can candle. 
  In their interactive sculpture, Lighter Than Air and Easier to Carry, 
  the artist duo LoVid use the body’s electrical signals 
  to modify pitch tones. 
  Brendan McGillicuddy combines a Van der Graaf machine and taxidermy 
  to create a portal into an improbable 19th century diorama. 
  Bryan Mesenbourg uses found objects to create an interactive 
  installation that forces the audience to reevaluate their tactical experience 
  with electricity.
  The sculptures of Arnaldo Morales expose the raw and visceral 
  attributes of an electrical current. 
  Marco Roso’s window installation Hangover is 
  a fog-filled space that pulsates with a strobe light, referencing the 
electric 
  haze of the 90’s Rave scene.
  Simon Schiessl reflects on the current global energy crisis 
  with a fallen power tower constructed of fluorescent light tubes. 
  Gregory Shakar’s Magnitudes of Tempered Consonance 
  is an installation that allows participants to perform tuned "lightning" 
  through audible, musically tempered electrical flames. 
  Luke Stettner turns a gallery wall into an electrical receptor 
  that physically draws visitors into an otherwise empty space. 
  Hap Tivey contrasts the work of Thomas Edison and Nicola Tesla 
  through a LED portrait that draws from both the AC and DC electronic grid. 
  Seth Weiner's installations explore the natural phenomena of 
  electricity through experiments in the creation of St. Elmo's Fire and the 
application 
  of electronic muscle stimulation for the reanimation of meat. 
  Revel Woodard creates an electric love seat based on the Victorian 
  “tete-a-tete” chair.
  PROGRAMS
  The ubiquitous presence of audio amplification in Electric Lab references the 
  drastic effect the advent of electricity had on the human relationship to 
sound 
  and audiovisuals. Electric Lab will be shown in conjunction with three 
evenings 
  of music, performance and an ongoing film series.
  October 11th, 9-11pm: Koen Holtkamp, Queens, and Corridors 
  will perform their minimal electro-acoustic music.
  October 18th, 9pm-Midnight: A night of electricity-inspired 
  music featuring the DJs Crunc Tesla, Prince Language and Brennan Green. 
  October 25th, 8-10pm: Live performances by LoVid and Jamie 
  Allen.
  For more information on programming visit www.exitart.org
  ABOUT EXIT ART
  Exit Art is an independent vision of contemporary culture. We are prepared to 
  react immediately to important issues that affect our lives. We do 
experimental, 
  historical and unique presentations of aesthetic, social, political and 
environmental 
  issues. We absorb cultural differences that become prototype exhibitions. We 
  are a center for multiple disciplines. Exit Art is a 25 year old cultural 
center 
  in New York City founded by Directors Jeanette Ingberman and Papo Colo. It 
has 
  grown from a pioneering alternative art space into a model artistic center 
for 
  the 21st century committed to supporting artists whose quality of work 
reflects 
  the transformations of our culture. Exit Art is internationally recognized 
for 
  its unmatched spirit of inventiveness and consistent ability to anticipate 
the 
  newest trends in the culture. With a substantial reputation for curatorial 
innovation 
  and depth of programming in diverse media, Exit Art is always on the verge of 
  change.
  EXHIBITION SUPPORT
  General exhibition support provided by Altria Inc., Brown Foundation, 
Carnegie 
  Corporation, Jerome Foundation, JPMorgan Chase, New York State Council on the 
  Arts, Rockefeller Brothers Fund, Starry Night Fund at The Tides Foundation, 
  Exit Art’s Board of Trustees and our members.
  Support for Public Programming provided by The New York City Department of 
Cultural 
  Affairs.
  Additional project support provided by the Cultural Department of the 
Consulate 
  General of Spain in New York
  GENERAL INFORMATION
  Exit Art is located at 475 Tenth Avenue at 36th Street. Exit Art is open each 
  Tuesday through Thursday, 10 am – 6 pm; Friday, 10 am – 8 pm; 
Saturday, 
  noon – 8 pm Closed Sunday and Monday. There is a suggested donation of 
  $5. For more information, the public may call 212-966-7745 or visit 
www.exitart.org.
  # # # # 


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