In the interest of avoiding the conflict free zone that worries the authors the 
following  
> 
> 1. Goodbye to Creative Industries
> 
> A creepy discourse on creativity has captured cultural and economic policy. 
> Creativity invokes a certain pharmacological numbness among its spruikers ??? 
> a special sub-species entirely unaware of how far removed their version of 
> creativity is from radical invention and social transformation. Their claims 
> around the science of economy are little more than a shoddy con..

This kind of now familiar rant sounds increasingly elitist, as though 
creativity can only be sourced on the wild frontiers of radical invention and 
social transformation. This romantic rhetoric falls straight into the 
reductavist trap of depicting creativity  (the near universal capacity for 
invention and making of meaning through expression) to a kind of bohemian 
rhapsody. In which artists/makers and designers are required to be wild and 
untamed, patrolling the boarders of consciousness and returning with their 
-blue chip investments for level headed fetishists-. 

Many of the masterpieces of the 20th century were generated (to take just one 
example) in the white heat of the Hollywood dream factory- e.g. Some LIke it 
Hot, Casablanca, Vertigo etc etc. It was definitely creative and it was 
definitely an industry, operating in factory conditions of exploitation. It was 
far from being an outpost of bohemia. Today's culture of continuous innovation 
is also highly exploitative so instead of parodying the attempts of the state 
to recognise its existence of an industrial creative sector and its economic 
contribution, why shouldn't the established political class not seek to 
celebrate that contribution. And, in a better world, be inventing policy to 
address the insecurity, decrease the exploitation and increase the life chances 
of the precarious creative workforce.  


------------------------

d a v i d  g a r c i a
new-tactical-research.co.uk


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