[This is a trivial but highly entertaining story. What makes it
entertaining is that all actors makes grandiose claims about art,
politics and whatnot, and all of them are completely ludicrous. Fake
news doesn't even scratch the surface, it's fake reality! Felix]

'Charging Bull' sculptor calls for New York to remove 'Fearless Girl' statue

https://www.theguardian.com/us-news/2017/apr/12/charging-bull-artist-remove-fearless-girl-arturo-di-modica


The sculptor behind the “Charging Bull” statue near Wall Street in New
York said on Wednesday that the “Fearless Girl” sculpture placed in
front of his artwork is a violation of his rights, changing its meaning
and context.

With his attorney steadying him at the lectern, Italian-born Arturo Di
Modica was visibly emotional as he explained that his work, installed in
1989, was meant to symbolize “freedom, world peace, strength, power and
love”.

Now, he says, thanks to the March installation of a bronze statue of a
girl facing down the bull, that message has been transformed into one of
negativity and fear.

“The Charging Bull no longer carries a positive, optimistic message.
Rather, it has been transformed into a negative force and a threat,”
said Di Modica’s attorney, Norman Siegel. “Clearly, a deliberate choice
was made to exploit and to appropriate the ‘Charging Bull’ through the
placement of the ‘Fearless Girl’.”

Siegel and Di Modica have asked the city of New York to remove the
statue, which became something of a phenomenon when it was first
installed earlier this year, and tied by many to the global Women’s
March movement. They say the city should place the “Fearless Girl”
somewhere else where it no longer relies on the “Charging Bull”. “The
work is incomplete without Mr Di Modica’s Charging Bull, and as such it
constitutes a derivative work,” Seigel said, noting that the statue of
the girl, hands on her hips, only becomes “fearless” because of the much
larger, aggressive bull.

Siegel pointed to a 1990 copyright statute that grants visual artists
the right “to prevent any intentional distortion, mutilation or other
modification of that work which would be prejudicial to [the artist’s]
reputation”.

In addition to the removal of the statue, Di Modica was seeking
unspecified damages from the city of New York. Siegel said, however,
that his client had not filed a lawsuit yet and is hoping the city –
specifically its mayor, Bill de Blasio – will come to the table with the
artist in good faith. De Blasio recently extended “Fearless Girl’s”
permit through March 2018 and has called it a symbol of “standing up to
fear, standing up to power” and doing what’s right. Seigel said the
“inescapable implication” was that Di Modica’s bull became “a force
against doing what’s right”.

The installation was made the financial firm State Street Global
Advisors, and was initially accompanied by a plaque that read: ‘‘Know
the power of women in leadership. SHE makes a difference.’’ The “SHE” in
this case refers to an exchange-traded fund offered by SSGA, which Di
Modica’s supporters say makes the piece an advertisement, and one that
fully relies on tarnishing the Charging Bull. The fund was developed by
SSGA to track companies with greater levels of gender diversity in
senior leadership roles.

“This is absolutely a commercial,” said Arthur Piccolo, the Chairman of
the Bowling Green Association – the area where the bull and, now, the
little girl both reside. Piccolo said executives in the advertising
industry are calling it one of the greatest ads of all time. “It’s a
story that went around the world,” he added.

But the “Fearless Girl’s” popularity doesn’t change Di Modica’s rights
in the scenario Siegel said. “Principle trumps popularity, and there are
principles here. The fact that people want gender diversity and
equality, great. But you’ve got to put that in the context of certain
rights. If we get to the point or forgetting those basic principles,
we’re out in never-never land.”


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