hello bruce,

thank you for sharing your essay about the Share Festival Artmaker Bag here, i 
really enjoyed reading it. for the last two years i’ve slowly been building 
myself a Wearable Studio Practice 
<http://www.plusea.at/?category_name=a-wearable-studio-practice>. basically a 
series of wearable and portable accessories for carrying my tools with me at 
all times so that i can make things in unusual and unexpected situations. and 
through this experience have also been thinking about how tools represent our 
practices and their evolutions from discrete disciplines, through 
inter-disciplines into new disciplines. 

my practice is in electronic textiles, so my toolset is a mix of electical 
engineering and textile crafts tools. many of them hand tools, which makes 
portability easier. a lot of time was spent narrowing my selection of tools 
down to a bare minimum, and then easing it up again to a comfortable range. but 
i’m missing “quixotic” items! unfamiliar and unexpected tools to remind myself 
that this project is not about efficiency, but about carrying my practice 
outside it’s comfort zone, to expose it and encounter the unexpected. including 
unrealistic tools now seems like an essential part of this narrative.

< This means that a “Share Festival Artmaker Bag” is a quixotic effort. If this 
cluster of implements actually functioned as a standardized set of common tools 
for tech-art productivity, then its core users would immediately want to hack 
it, abandon it as passe’, and turn their attention to something more 
“advanced.” >

thank you for introducing the notion of a "quixotic effort”.

hannah


Hannah Perner-Wilson
+49 (0)176 86804943
[email protected] <mailto:[email protected]>
www.plusea.at <http://www.plusea.at/>



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