Thanks for sharing this. R On Thu, Mar 14, 2019 at 11:50 AM Marcela Okretič <marc...@aksioma.org> wrote:
> Aksioma – Institute for Contemporary Art, Ljubljana, is glad to announce: > > > > *Tactics&Practice #7* > > *CRITICAL ENGINEERING* > > *Radical Tools for Interventions in Infrastructure* > > https://aksioma.org/critical.engineering/index.html > > > > TALKS | WORKSHOP | EXHIBITION > > Ljubljana, 26–27 March 2019 > > > > > > *THE TALKS:* > > *Kino Šiška*, Trg prekomorskih brigad 3, Ljubljana > > Tuesday, 26 March 2019 > > 17:00 Julian Oliver & Danja Vasiliev: *Dark Internet Topologies* > > 17:45 Gordan Savičić & Bengt Sjölén: *Electromagnetic Situationism* > > 18:30 Joana Moll: *An Autopsy of Data Business* > > 19:15 Sarah Grant: *Radical Networks* > > > > Free admission. Please fill in the registration form > <https://goo.gl/forms/40WPby7FQFnsBWnJ3> by 24 March 2019. > > > > *THE WORKSHOP:* > > *Kino Šiška*, Trg prekomorskih brigad 3, Ljubljana > > Wednesday, 27 March 2019 > > 9:00–18:00 Sarah Grant & Joana Moll: *Surveillance Override* > > > > The workshop is free of charge. Limited to 12 participants. Follow this > link <https://goo.gl/forms/3YeBjVVC0RZDP8jD3> to apply. > > > > *THE EXHIBITION:* > > *Aksioma | Project Space*, Komenskega 18, Ljubljana > > Wednesday, 27 March 2019 > > 19:00 *Critical Engineering* – opening (open through 26 April 2019) > > > > ----------- > > > > In 2011, a group of artists and engineers published the “Critical > Engineering Manifesto” <https://criticalengineering.org/>, since > translated into 18 languages. Around the manifesto, originally written by > Julian Oliver, Gordan Savičić and Danja Vasiliev, gathered a larger group – > the Critical Engineering Working Group – now including also Sarah Grant, > Bengt Sjölén and Joana Moll. > > In true avant-garde fashion, the “Manifesto” launches by describing > Engineering as “the most transformative language of our time, shaping the > way we move, communicate and think”, thus, it is the work of the Critical > Engineer “to study and exploit this language, exposing its influence”. > Further, a Critical Engineer “recognises that each work of engineering > engineers its user”, considering “any technology depended upon to be both a > challenge and a threat”. And so the manifesto unfolds. > > Nearly ten years later, the relevance of the “Critical Engineering > Manifesto” has only become more evident, as an ever-growing public becomes > aware of the techno-political implications of using – and depending upon – > integrated systems and complex, networked technologies. Today, one can find > its 11 points listed on the walls of hacklabs, museums, engineering and > media-art academies, and in a great many texts, the world over. > > The *Tactics&Practice <https://aksioma.org/tactics.practice/>* event > entitled *Critical Engineering* comprises an exhibition, a seminar and a > workshop, underlining the artistic, theoretical and educational work done > by the Critical Engineering Working Group along the last decade. The > seminar will host all the members of the group – all of them recognised > artists with long individual artistic careers – using their statements and > their projects as case studies to analyse the transformative potential of > Critical Engineering in the context of a tactical and technical arts > practice. > > > > > > *Production:* Aksioma – Institute for Contemporary Art, Ljubljana, 2019 > > *Coproduction:* Kino Šiška Centre for Urban Culture, Ljubljana and Drugo > more, Rijeka > > > > Supported by the Creative Europe programme of the European Union, the > Ministry of Culture of the Republic of Slovenia and the Municipality of > Ljubljana. > > > > *Tactics&Practice* #7 is realised in the framework of *State Machines > <http://www.statemachines.eu/>*, a joint project by Aksioma (SI), Drugo > more (HR), Furtherfield (UK), Institute of Network Cultures (NL) and NeMe > (CY). > > > > This project has been funded with support from the European Commission. > This communication reflects the views only of the author, and the > Commission cannot be held responsible for any use which may be made of the > information contained therein. > > > > > > > > Marcela Okretič > > Aksioma | Institute for Contemporary Art, Ljubljana > > Jakopičeva 11, 1000 Ljubljana, Slovenia > > > > Aksioma | Project Space > > Komenskega 18, 1000 Ljubljana, Slovenia > > tel.: + 386 – (0)590 54360 > > gsm: + 386 – (0)41 – 250830 > > e-mail: marc...@aksioma.org > > www.aksioma.org > > > > > # distributed via <nettime>: no commercial use without permission > # <nettime> is a moderated mailing list for net criticism, > # collaborative text filtering and cultural politics of the nets > # more info: http://mx.kein.org/mailman/listinfo/nettime-l > # archive: http://www.nettime.org contact: nett...@kein.org > # @nettime_bot tweets mail w/ sender unless #ANON is in Subject: -- http://www.rachelodwyer.com/ +353 (85) 7023779
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