URL or not but this is too good, and too important for nettimers, not to read
and discuss. These very personal and relevant observations come from a public
Facebook page and have been written by Lev Manovich (who is “feeling
thoughtful” as the page indicates).
—
https://m.facebook.com/668367315/posts/10159683846717316/?extid=fWYl63KjbcA3uqqm&d=n
My anti-digital art manifesto / What do we feel when we look at the previous
generations of electronic and computer technologies? 1940s TV sets, 1960s
mainframes, 1980s PCs, 1990s versions of Windows, or 2000s mobile phones? I
feel "embarrassed. "Awkward." Almost "shameful." "Sad." And this is exactly the
same feelings I have looking at 99% of digital art/computer art / new media
art/media art created in previous decades. And I will feel the same when
looking at the most cutting-edge art done today ("AI art," etc.) 5 years from
now.
If consumer products have "planned obsolescence," digital art created with the
"latest" technology has its own "built-in obsolescence." //
These feelings of sadness, disappointment, remorse, and embarrassment have been
provoked especially this week as I am watching Ars Electronica programs every
day. I start wondering - did I waste my whole life in the wrong field? It is
very exciting to be at the "cutting edge", but the price you pay is heavy.
After 30 years in this field, there are very few artworks I can show to my
students without feeling embarrassed. While I remember why there were so
important to us at the moment they were made, their low-resolution visuals and
broken links can't inspire students. //
The same is often true for the "content" of digital art. It's about "issues,"
"impact of X on Y", "critique of A", "a parody of B", "community of C" and so
on. //
It's almost never about our real everyday life and our humanity. Feelings.
Passions. Looking at the world. Looking inside yourself. Falling in love.
Breaking up. Questioning yourself. Searching for love, meaning, less alienated
life.//
After I watch Ars Electronica streams, I go to Netflix or switch on the TV, and
it feels like fresh air. I see very well made films and TV series. Perfectly
lighted, color graded, art directed.
I see real people, not "ideas" and meaningless sounds of yet another
"electronic music" performance, or yet another meaningless outputs of a neural
network invented by brilliant scientists and badly misused by "artists."
New media art never deals with human life, and this is why it does not enter
museums. It's our fault. Don't blame curators or the "art world." Digital art
is "anti-human art," and this is why it does not stay in history. //
P.S. As always, I exaggerated a bit my point to provoke discussion - but not
that much. This post does reflect my real feelings. Of course, some of these
issues are complex - but after 30 years in the field, I really do wonder what
it was all about)
P.P.S.
The mystery of why some technology (and art made with them) has obsolescence
and others do not - thinking about this for 25 years. We are fascinated by
19th-century photographs or 1960s ones. They look beautiful, rich, full of
emotions, and meanings. But video art from the 1980s-1990s looks simply
terrible, you want to run away and forget that you ever saw this. Why first
Apple computers look cool, cute, engaged? But art created on them does not? And
so on. I still have not solved this question.
Perhaps part of this has to be with the message that goes along with lots of
tech art from the 1960s to today - and especially today. 19th or 20th-century
photographs done by professional photographs or good amateurs do not come with
utopian, pretentious, exaggerated, unrealistic, and hypocritical statements,
the way lots of "progressive art" does today. Nor do their titles announce all
latest tech processes used to create these photographs.
--------------------
Ars Electronica 2020:
https://ars.electronica.art/keplersgardens/en/
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--------------------
Video illustration: Japanese robot at Ars Electronica 2010 -
https://www.youtube.com/watch?v=mmabKC1P51A
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