*Capture*
Project by Paolo Cirio.
Press Release, Paris, October 1st, 2020.
https://paolocirio.net/work/capture/

Paolo Cirio created a database with 4000 faces of French police officers to
crowdsource their identification with Facial Recognition technology
and through the platform https://Capture-Police.com

Cirio also printed the officers’ headshots as street art posters and
posted them throughout Paris:
https://www.youtube.com/watch?v=6UTgBKLd8uM

The project *Capture* comments on the potential uses and misuses of Facial
Recognition and Artificial Intelligence by questioning the asymmetry of
power at play. The lack of privacy regulations of such technology can
eventually turn against the same authorities that urge the use of it. With
this artistic provocation, Cirio shows how the technological power of
Facial Recognition is excessively dangerous for society and even for the
police.

With this action, Paolo Cirio introduces a campaign to ban
Facial Recognition technology in all of Europe in collaboration with
privacy organizations and policy makers. Cirio researched this legal matter
and wrote a petition to mobilize citizens, organizations, and the press to
lobby against it and ultimately ban Facial Recognition in all of Europe.
This technology is already in use in several countries without
transparency and accountability. Join the campaign here:
https://Ban-Facial-Recognition.eu

The police call for the use of Facial Recognition on protesters,
minorities, and civilians, while they make themselves unidentifiable in
public confrontations. In this project Facial Recognition turns against the
same public authorities and law enforcement looking to justify the
necessity of it. Cirio collected 1000 public photos of police officers
taken during the protests in France and processed them with Facial
Recognition software to profile over 4000 faces of officers. All the
pictures were taken in the public space, either found on the public
Internet or acquired from members of the press. This is something similar
to Clearview AI, an American company that scrapes images from the Internet
and profiles faces and sell such data to law enforcement agencies.

The ethics, politics, and aesthetics of the technology, intervention,
and photography in this art project aim to resolve the perplexity
concerning the notions of transparency, privacy, and the autonomy of
citizens and officers. The paradigm of the powerful watching and the
powerless being watched is reversed. Cirio questions the boundaries of this
act, beyond the provocation and the intervention, he works for regulations
and ethical debates on power imbalances, accountability, and social justice.

Ultimately, for this project, Cirio produced a short video
documentary about Facial Recognition and Artificial Intelligence with the
youth journalism agency Labo 148, featuring the action for the campaign
along with interviews of experts and activists:
https://www.youtube.com/watch?v=XmC031SCfmo

For the art installation, Cirio selected 150 faces to compose a matrix
of prints on a 15 meters wall. Over this background, seven fine art
prints feature unidentified officers in the act of shooting at protesters.
The audience find themselves in front of a firing squad and a ferocious
crowd of police officers. This large-scale installation will be presented
for the first time at Le Fresnoy from October 15th.
https://paolocirio.net/work/capture/

For this project, Cirio created partnerships with La Quadrature du Net,
We Sign It, Labo 148, and collaborations with several other
privacy organizations.

More with the hashtag #BanFacialRecognitionEU

Press Kit:
https://drive.google.com/drive/folders/1ELbsEY-bc2NDbWrvGAEEGR2XApVNhNOt

_____________________________________________________

Paolo Cirio - Artist

Web: https://PaoloCirio.net

FL: https://flickr.com/paolocirio
TW: https://twitter.com/paolocirio
LI: https://linkedin.com/in/paolocirio
YT: https://youtube.com/c/paolocirio
FB: https://facebook.com/paolo.cirio.art
IG: https://instagram.com/paolo.cirio.art

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