The Bright and Dark Sides of the Creative City
By Marco Bontje (UvA/AMIDSt) en Patrice Riemens (Waag Society)
http://www.fmg.uva.nl/amidst/home.cfm

Blurb:

Throughout history, cities have always been centres of creativity, and
creativity has always played a major role in economic development
throughout the world. In recent years, however, it would appear that
creativity has become more important than ever for economic growth.
Especially large cities in Europe and North America are enthusiastically
developing policies to attract creative industries by facilitating
creative talent. Many cities are very eager to follow the 'creative city
formula' of 'gurus' like Florida and Landry and expect to become more
successful and competitive in that way.

Parallel to this, 'creative cities' have become a popular debating topic
in the social sciences as well. Especially Florida has become a
favourite
target of critical scientists. His theory and empirical evidence are far
from convincing. Beyond scientific validity, Florida's success among
local
policy-makers also raises many fundamental societal questions. To
mention
but a few:

- Will a creative city only be developed for those with the
highest education, highest income and best networks, or can it be a
'city
for all'?

- Is the enthusiasm of city fathers for the 'creative city'
concept genuine, or is it a disingenuous ploy to escape their burdensome
responsibilities with respect to increasingly 'unmanageable' urban
problems like (public) housing, health, transport, education, not to
mention poverty, race relations and political extremism?

and:

- Are creative talents and companies indeed attracted by a creative city
policy, or would they prefer as little policy intervention as possible?

- Is the 'creative city' concept as we know it a purely North American
and
European phenomenon, or does a 'non-Western' variant exist as well, as
can
possibly be seen in India and China for instance?
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