Planet of the Censoring HumansThe campaign to remove Michael Moore’s new
documentary from the Internet – led by Moore’s erstwhile progressive
“allies” – is a significant advance in the censorship revolution
https://taibbi.substack.com/p/planet-of-the-censoring-humans

Matt Taibbi <https://taibbi.substack.com/people/263053> 22 hr 186 122
<https://taibbi.substack.com/p/planet-of-the-censoring-humans/comments>
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On April 21st, 2020, just before the 50th anniversary of the first Earth
Day, Oscar-winning director/producer Michael Moore released a new movie
<https://deadline.com/2020/04/michael-moore-releases-planet-of-the-humans-documentary-eve-earth-day-1202913761/>
 called *Planet of the Humans. *Directed by Jeff Gibbs, the film is a
searing look at the ostensible failures of the environmentalist movement,
to which Moore and Gibbs both belonged.

“Jeff and I were at the first Earth Day celebrations,” Moore laughs.
“That’s how old we are.”

Distributed for free on YouTube, the film’s central argument is that the
environmentalist movement, fattened by corporate donations, has become
seduced by an industrialist delusion.

“The whole idea of the film was to ask a question – after fifty years of
the environmentalist movement, how are we doing?” recounts Moore. “It looks
like, not very well.”

Moore and Gibbs challenged the idea that both the planet and humankind’s
current patterns of industrial production can be saved through the magic
bullet of “renewable energy.” The film shows lurid examples of various
deceptions, like the oft-used trick of replacing coal plants with new
natural gas plants <https://www.eia.gov/tools/faqs/faq.php?id=427&t=3>,
which are then called “clean” or “green,” or the hideous trend of describing
the burning of trees as a “renewable” energy source
<https://www.biologicaldiversity.org/campaigns/debunking_the_biomass_myth/>.

Environmentalists denounced the film as riddled with “lies” and
“misinformation,” claiming among other things that Moore used old data to
discredit green technology. A campaign to remove the film from circulation
immediately took shape.

“Within 24 hours of it going out on YouTube, people got to work on trying
to take the film down,” explains Moore. He immediately started hearing
about emails denouncing the film that were being circulated to what seemed
like “everyone on the left.”

An “action letter” composed by environmentalist Josh Fox was circulated,
describing the film as “dangerous, misleading, and destructive” and
demanding an “immediate retraction.” Films for Action, an online archive of
progressive movies, initially bent to Fox’s demands by taking the film out
of its library, only to put it back up a half-day later out of a desire to
avoid a “messy debate about censorship
<https://www.filmsforaction.org/articles/films-for-actions-statement-on-planet-of-the-humans/>
.”

An intense campaign of editorials followed, and a roughly month later,
YouTube actually removed the film
<https://www.theguardian.com/film/2020/may/26/michael-moore-film-planet-of-the-humans-removed-from-youtube?utm_campaign=Hot%20News&utm_source=hs_email&utm_medium=email&utm_content=88475737&_hsenc=p2ANqtz-9Uq0BsKTruyOpILkFdpeG4tdXu8HVHuYLs-_8LpHe4cm>.
The platform cited a four-second piece of footage shot by filmmaker Toby
Smith that supposedly was a copyright infringement. Moore, who says all his
films are “heavily lawyered,” insists the footage was legal under Fair Use
laws, which allow the use of portions of copyrighted work without the
permission of the owner. (In one of many ironies, Fair Use laws have long
been celebrated by progressives as an invaluable tool for journalists and
artists).

*Click on the link for the rest.*

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