I can understand that in the 1930’s and even the 1950’s the Federal 
Communications Commission saw its role as engineering a marketplace because it 
didn’t seem as if the industry was viable on its own due to the limits of the 
technology and the need to define every aspect of a communications silo.

 

Today we know that the elements can be decoupled and in doing so we enable a 
great deal of innovation. The content can be delivered over IP or another 
transport and a TV is an arbitrary construct consisting of a viewing surface 
and an input source. The Set Top Box replaced the tuner during a transition 
period.

 

What is the rationale for the FCC to continue to engineer every aspect of the 
delivery system and to say how content should be managed in what amounts to a 
cartel?

 

If Hollywood wants to require DRM in devices it could try to sell such devices 
and software on the open market. HBOGo and others are doing that. I may not be 
happy out this but shouldn’t the FTC and agencies be involved instead?

 

Has there at least been an impact assessment of damage done by sacrificing our 
ability to innovate in using the content to the needs of a particular business 
model from a century go? Is there any technology that Hollywood has not opposed 
lest it level the playing field?

 

Is unviewing next?

 

From: Dave Farber [mailto:[email protected]] 
Sent: Friday, May 07, 2010 18:35
To: ip
Subject: [IP] US: Hollywood can disable TV set features

 






Begin forwarded message:

From: Richard Forno <[email protected]>
Date: May 7, 2010 5:35:41 PM EDT
To: List Infowarrior <[email protected]>
Cc: Farber Dave <[email protected]>
Subject: US: Hollywood can disable TV set features

Film Studios Allowed by U.S. to Use Anti-Piracy Technology on TV Equipment

By Todd Shields - May 07, 2010

http://preview.bloomberg.com/news/2010-05-07/film-studios-said-to-be-allowed-to-use-anti-piracy-technology-on-tv-sets.html

The film industry can block outputs on home television equipment so studios can 
offer first-run movies while preventing viewers from making illicit copies, 
U.S. regulators said.

Temporarily disabling the outputs will “enable a new business model” that 
wouldn’t develop in the absence of such anti-piracy protection, the Federal 
Communications Commission said today in an order.

Home viewing of recently released movies over cable and satellite systems would 
provide revenue for studios such as Viacom Inc.’s Paramount Pictures and Sony 
Corp.’s film division, which have seen DVD sales drop as more people get films 
through Internet, mail-order and kiosk rental services. The advocacy group 
Public Knowledge is among opponents who say the plan interferes with viewer 
choice.

The FCC order “‘will allow the big firms for the first time to take control of 
a consumer’s TV set or set-top box, blocking viewing of a TV program or motion 
picture,” Gigi Sohn, president of Washington-based Public Knowledge, said in a 
statement.

The Motion Picture Association of America asked the FCC in 2008 for a waiver 
from rules against disabling video outputs so that its members could send 
movies over cable and satellite services using “secure and protected digital 
outputs,” according to the trade group’s petition at the agency.

“This action is an important victory for consumers who will now have far 
greater access to see recent high-definition movies in their homes,” Bob 
Pisano, president and interim chief executive officer of the MPAA, said today 
in a statement. “It is a major step forward in the development of new business 
models by the motion picture industry to respond to growing consumer demand.”

The Washington-based MPAA represents Paramount Pictures, Sony’s film unit, News 
Corp.’s Twentieth Century Fox, General Electric Co.’s NBC Universal, Walt 
Disney Co. and Time Warner Inc.’s Warner Bros. Pictures.

To contact the reporter on this story: Todd Shields in Washington at 
[email protected]


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