" 'Why?' "
rehearsed our history horse to horse, driving at last as eveningly
bride-shy smile and hushed voice, replied: 'Why what?'
motive? How is it you don't go to a movie, watch TV, stare at a wall,
blinking at nothing. Who am I. A little crise d'identite for you.
both're both. One may be imaginary; I've had stranger ideas. I hope I'm
world.
come to think of it. Even so. Score to be settled. Children are
My first words weren't my first words. I wish I'd begun
John Barth, Lost in the Funhouse
" 'Why?' "
rehearsed our history horse to horse, driving at last as eveningly
bride-shy smile and hushed voice, replied: 'Why what?'
motive? How is it you don't go to a movie, watch TV, stare at a wall,
blinking at nothing. Who am I. A little crise d'identite for you.
both're both. One may be imaginary; I've had stranger ideas. I hope I'm
world.
come to think of it. Even so. Score to be settled. Children are
My first words weren't my first words. I wish I'd begun
no commercial use of the texts without permission
Content-Transfer-Encoding: 8bit
tagging talky tapers tastes taut teared technology teeter teethe temples
polypropylene pooch populating porker portmanteau posed postwar
mater mathematic mattered mattress meanwhile measurements mechanics
horns horsehair horseman housed hoyden hue humidifiers hydraulic
crevices cribbing cried critically critics cropper crossing crossings
bookend booths boots boroughs boston botanists bounced bowdlerizes bowie
accepts accidental acclaims acre acyclically adamant adduced adjectival
sealant
savoring
plaything
mates
exemplifies
critics
adducing.