Then there's composer-player-listener, too... This is maybe where one problem with the Sage piece lay - The people who listened to KT and to the pipes are not the same people, mostly, that listen to pieces by Max. Add in the fact that you couldn't hear the pipes right whether you were listening or not, and you have a recipe for it not working.
John -----Original Message----- From: Matt Seattle [mailto:[EMAIL PROTECTED] Sent: 31 October 2006 09:59 To: ''Dartmouth N . P . S . site''; [EMAIL PROTECTED] Subject: [NSP] Re: All What Jazz? >Maybe we need that triangle of player, maker, composer somewhere >Matt... You're misquoting me somewhat Julia, and it was Chris who first mentioned the triad of music, pipes and piper, which is the triad of 'piping'. The composer - if I can risk being metaphysical - is someone who is not necessarily part of that triad, but who in practice is usually the piper, though with a different intention/focus from when she/he is playing. There is a triad of 'composing' as well, and 'pipemaking'. Perhaps they are the same triad but viewed from different angles. Oy! Right now I'm a bit rushed so I'll have to wait to contemplate. Rock on To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
