'susceptible smallest environmental  
Change, whether atmospheric....'

Going from one room to another at Halsway was enough to unfettle mine very 
seriously.
Going out in the drizzle with them cured it for a while.
Happily, so did bringing them home.

The warm welcoming atmosphere there has its drawbacks!

John
 

-----Original Message-----
From: nsp-request+j.gibbons=ic.ac...@cs.dartmouth.edu 
[mailto:nsp-request+j.gibbons=ic.ac...@cs.dartmouth.edu] On Behalf Of Francis 
Wood
Sent: 11 March 2009 13:14
To: rosspi...@aol.com
Cc: Dartmouth nsp list N.P.S. site
Subject: [NSP] Re: Chanter hole spacings

On 11 Mar 2009, at 12:25, rosspi...@aol.com wrote:

> Just to mention that Mike Nelson used my hole spacings on his  
> chanters which he graciously acknowledged on a diagram of chanter  
> hole spacings he produced in the early days.


Well, Colin, it was gracious of you to share the design in the first  
place. You have always been most generous in sharing information and  
this is much appreciated.

Perhaps not everyone is aware that Mike Nelson made Kathryn Tickell's  
pipes. Recordings of that instrument provide very good evidence of the  
success of that set of hole positions. The Mike's drawings first  
appeared in 1984 in a book long out of print, the contents of which  
are visible in incomplete form online. Most of the important stuff is  
there, including details of the chanter, at:

http://www.machineconcepts.co.uk/smallpipes/pipe1.htm

Of course putting the holes of the right size in the right place is  
only the beginning of the tuning process. All woodwind instruments  
have some degree of tuning latitude which an experienced player will  
correct by adjusting the embouchure. That option is not available  
where there is a captive reed, as with any bagpipe. Experienced  
players may find that tuning is an ongoing process, involving small  
occasional adjustments. This is not to imply any deficiency or  
carelessness on the part of the maker, but merely to state that these  
delicate reeds are very susceptible to the smallest environmental  
change whether atmospheric or dimensional.

Reminds me of the story of an instrument that was once advertised:  
"Viola for sale - recently tuned."  If only life were that simple!

Francis



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