I posted a question about reeds a while back and got some great
   answers. Anthony Robb
   suggested that "perhaps we should start a free bank of working reeds
   that
      "aren't really there" for enthusiastic, would-be makers to mess
   around
      with?".
   Does anyone out there have any such reeds available? I'd like to try my
   hand at reed making in the not too distant future and would be grateful
   for any "wonky" reeds that anyone could send me to have a go scraping,
   trimming etc.
   I'm in Australia - Neil
   --- On Fri, 19/3/10, Anthony Robb <[email protected]> wrote:

     From: Anthony Robb <[email protected]>
     Subject: [NSP] Reeds
     To: "Dartmouth NPS" <[email protected]>
     Received: Friday, 19 March, 2010, 7:02 AM

      Francis wood wrote:
      Unwelcome squeaking can arise from many causes (including mice in
   the
      bag, though I'm not qualified to advise on a solution to that one)
   and
      it takes a good amount of experience to determine what is really
   wrong.
      What should an isolated beginner do in such circumstances?
      Hello Francis, I know the feeling. 6 months after getting my set
   from
      Bill Hedworth I  found myself alone in the Birmingham area (Sutton
      Coldfield)  and stuck for any adivice on reeds. There were no
      professional makers whatsoever in those days but I'd made contact
   with
      Bob Reid who posted me 6 chanter reeds (I think about a quid each)
      and I set to work wrecking them and getting to know what not to do!
   At
      that time Finbar Furey lived in Coventry and we got together a few
      times and he made me a copy of one of Bob's reeds but the Irish seem
   to
      go for softer cane which didn't really have the tone I wanted.
      No amount of watching or getting advice can match first-hand
      tweaking and after getting through about -L-120 worth of reeds at
      today's money I had learned a lot and was reasonably proficient and
      setting reeds (thank you Colin Ross!) to suit my pipes. When I came
   to
      make my own first reed (used in her F set by Carole on Cut & Dry
   Dolly)
      I didn't have a gouge so made the slip by patiently sanding from the
      flat cane on sandpaper drawing-pinned to a bit of broom-shank (not
      recommended but showed tenacity)!
      These days I snap lifeless reeds to stop me wasting time on them.
      Perhaps we should start a free bank of working reeds that
      "aren't really there" for enthusiastic, would-be makers to mess
   around
      with?
      As aye
      Anthony
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