Ciao Taco,

> That reminds me: we are hoping you'll be willing
> to do a presentation of your music typesetting :-)
>

I'm always thinking about writing down some notes. I think I can do it 
in July. Two days later I presented some considerations on algorithmic 
composition and automatic notation in our internal seminar, showing the 
ConTeXt+LilyPond connection. I will put soon some (125..) slides on 
line, but they're in Italian.
(This was the abstract in English:

>
> Algorithmic composition and musical notation: a report on the on-going 
> project "I 6 nodi".
>
> Apart from many ante litteram examples, algorithmic musical 
> composition has been proposed and practiced extensively since the 
> '50s. Actually, it seems that this kind of approach has found its 
> natural realm more in the electroacoustic domain than in the acoustic 
> (instrumental) one.  This is probably due also to the bottleneck of 
> musical notation: not by chance many contemporary musical 
> experimentations have been devoted to notation (Valle 2003). While the 
> synthesis of audio samples (as implied by electroacoustic music) is a 
> very simple technical task, the generation of musical notation (the 
> effective output of the composer's work) requires a much greater 
> effort. The talk will present a on-going project for algorithmic 
> generation of musical notation which uses different open source 
> libraries and softwares. In particular, the discussed case is an  
> extension of the GeoGraphy project (Valle  - Lombardo 2003, Valle 
> 2004): the goal is generating structures of  musical notation for the 
> piano series "I 6 nodi".
>
> Ref.
>
> Valle
> 2003: La notazione musicale contemporanea. Aspetti semiotici ed 
> estetici, Torino, EDT 2003.
> 2004: ``A Graph-Grammar for some local sound objects' relations in 
> Stravinkij's Sacre'', Musica come Linguaggio- Secondo Simposio 
> Internazionale sulle Scienze
> del Linguaggio Musicale, Saint-R\'emy-de-Provence,
> 14-17/10/2004.
>
> Valle, A., Lombardo V., 2003
> ``A two-level method to control granular synthesis'', XIV CIM - 
> Colloquio di Informatica
> Musicale, Firenze, 8-10/05/203, pubbl. in XIV CIM 2003 -
> Computer Music: Past and Future, Proceedings: 136-140.
)

I would have already subscribed  to the meeting if it were not in the 
exact day (24) of the second birthday of my daughter....So, now I'm 
tinkering about a solution :-)

Best

-a-


Andrea Valle
DAMS - Facoltà di Scienze della Formazione
Università degli Studi di Torino
http://www.semiotiche.it/andrea
[EMAIL PROTECTED]

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