But of course…  please forgive my California-centric solipsism, and here's a 
little gem from my time down at Weta:

"When you're working 7 days, every night is a Friday night!"

On Mar 31, 2012, at 10:25 PM, Ron Ganbar wrote:

> It's Sunday morning here, which is working day here... :-)
> 
> R
> 
> On Apr 1, 2012 7:42 AM, "Bill Gilman" <[email protected]> wrote:
> What are all you people doing responding to this thread on a Saturday night?!?
> 
> This is what's wrong with VFX, right here.  ;-)
> 
> I agree that every approach has it's own set of problems.  We're doing 4K 
> stereo with LOTS of iterations and creative changes in versions.  It's more 
> important for us to get rough iterations than finished work, at least at this 
> stage.  I'm sure there will be version issues, but we're trying to take the 
> step to the next level as a facility so we're trying to standardize basic 
> parts of the pipeline.  Using proxies is kind of a live QA of our system in 
> other ways.  Truth be told, as soon as something looks too soft to the wrong 
> person, I'm sure we'll have to bump everything up to 4K.  'Til then, however…
> 
> 
> 
> On Mar 31, 2012, at 9:23 PM, Nathan Rusch wrote:
> 
>> Hugo: It’s definitely easy to initially set such a system up from a 
>> development standpoint, but when you start getting into situations where  
>> versions of comp input sequences (mattes, paint work, lighting/fx renders, 
>> etc.) are iterating rapidly and concurrently, having to ensure that all the 
>> input sequences are synchronized to their local counterparts is more trouble 
>> than it’s worth.
>>  
>> Even if, for example, you forcefully disable proxy mode when a comp renders 
>> on the farm, you can still run into edge cases where the artist has been 
>> working in proxy mode, but what they have been looking at is outdated, so 
>> you end up potentially wasting a fairly significant chunk of farm time. Now 
>> in theory this SHOULDN’T happen if you keep a properly-versioned output 
>> pipeline, but that doesn’t mean it won’t, and things like this ALWAYS go 
>> wrong in crunch. Plus, since artists are working on multiple shots and will 
>> likely switch between 3 or 4 before lunch, they almost certainly won’t 
>> remember what versions of everything were synced when for which shots.
>>  
>> Having been there and back (at a small, maneuverable studio, no less), this 
>> is based on my experiences, so obviously, different people will have 
>> different approaches and opinions. Because central storage is the pretty 
>> much the most important part of your studio, it just seems like a better 
>> investment to put money into improving its performance and network layout 
>> than to spend developer time and money maintaining a compromise/workaround 
>> solution. Simple things like avoiding layered EXRs and other 
>> performance-averse formats like TIFF, managing compression and bit-depth 
>> settings intelligently to make good use of existing storage, and tuning your 
>> network filesystem appropriately can all go a long way.
>>  
>>  
>> Ron: os.path.realpath(os.path.join(nuke.root()['project_directory'].value(), 
>> read['file'].value()))
>>  
>>  
>> -Nathan
>> 
>>  
>> From: Ron Ganbar
>> Sent: Saturday, March 31, 2012 8:52 PM
>> To: Nuke user discussion
>> Subject: Re: [Nuke-users] global proxy format setting?
>>  
>> Basically you are all talking about a custom Read node that is tied to your 
>> project / sequence / shot setup and that has all these functions built in.
>> In that case a lot of this becomes vert practical. The Read node can make 
>> local copies and use them if they exists, and read from the Network if they 
>> don't. I used a setup like this several times (even back in Shake days) and 
>> it works very well.
>> On a small studio scale, I just never saw anyone put the effort in to do 
>> this properly. This is when it becomes a pain in the backside.
>>  
>> Incidentally, in case you are using the Project Directory path in the 
>> Project Settings panel, then use a ./rest/of/my/path/seq.%04d.dpx how do you 
>> resolve this easily via python?
>> 
>> 
>> Ron Ganbar
>> email: [email protected]
>> tel: +44 (0)7968 007 309 [UK]
>>      +972 (0)54 255 9765 [Israel]
>> url: http://ronganbar.wordpress.com/
>> 
>> 
>> 
>> On 1 April 2012 06:43, Hugo Leveille <[email protected]> wrote:
>> How do you find it impractical? Having a script that copies the network file 
>> to a local raid and set it in proxy path is quite practical and easy to 
>> manage, not matter how many artist, no? Unless I misunderstand you.
>>  
>> Id like to have your view on this.
>>  
>> Thanks
>> 
>> Sent from my iPhone
>> 
>> On 2012-03-31, at 11:30 PM, "Nathan Rusch" <[email protected]> wrote:
>> 
>>> Yeah, localizing files is definitely nice (preferable to proxies like you 
>>> said), but it becomes rapidly impractical once you exceed a certain      
>>> number of artists.
>>>  
>>> -Nathan
>>> 
>>>  
>>> From: Hugo Leveille
>>> Sent: Saturday, March 31, 2012 8:24 PM
>>> To: Nuke user discussion
>>> Subject: Re: [Nuke-users] global proxy format setting?
>>>  
>>> What you'll want more often than other is a 1:1 local version of a network 
>>> file. Not a mixed resolution
>>> 
>>> Sent from my iPhone
>>> 
>>> On 2012-03-31, at 11:20 PM, "Nathan Rusch" <[email protected]> wrote:
>>> 
>>>> Once you cross that nebulous critical point where you go from using 
>>>> proxies occasionally to regularly, chances are you’re thinking about 
>>>> writing scripts/tools to handle it automagically.
>>>>  
>>>> In your example, it would be possible to parse out the resolution string 
>>>> from the image path, but the easier choice would be to simply hand Nuke 
>>>> the path to the proxy sequence and let it set the format for you (using 
>>>> read['proxy'].fromUserText('/my/proxy/path')). This would also let you to 
>>>> work with a more generalized directory structure. An extremely simplified 
>>>> example would be something like:
>>>>  
>>>> /pfcluster/Alphaville/PRODUCTION/01_joyluck/RENDERS/3D_ELEMENTS/joyluck_lightTex_v019_ln/LaserGlow/full/joyluck_lightTex_v019_ln_LaserGlow.####.exr
>>>>  
>>>> /pfcluster/Alphaville/PRODUCTION/01_joyluck/RENDERS/3D_ELEMENTS/joyluck_lightTex_v019_ln/LaserGlow/proxy/joyluck_lightTex_v019_ln_LaserGlow.####.exr
>>>>  
>>>> This way you won’t need to worry about doing any parsing, and can just set 
>>>> the proxy knob if that directory exists, or leave it blank otherwise.
>>>>  
>>>> To be honest, however, proxies are enough of a pain that the benefits 
>>>> rarely outweigh the potential for mixups and mistakes, even at 4k and 
>>>> above.
>>>>  
>>>> -Nathan
>>>> 
>>>>  
>>>> From: Bill Gilman
>>>> Sent: Saturday, March 31, 2012 6:39 PM
>>>> To: Nuke user discussion
>>>> Subject: Re: [Nuke-users] global proxy format setting?
>>>>  
>>>> Hi Hugo
>>>> 
>>>> First off, thanks for the code.  It doesn't seem to be working for me but 
>>>> maybe it will after you get a chance to play with it.
>>>> 
>>>> Out of curiosity, how hard would it be to parse, say, a resolution 
>>>> directory and change it to the proxy res?  Would this be best done with 
>>>> TCL or Python?  eg.:
>>>> 
>>>> /pfcluster/Alphaville/PRODUCTION/01_joyluck/RENDERS/3D_ELEMENTS/joyluck_lightTex_v019_ln/LaserGlow/4096x3112/joyluck_lightTex_v019_ln_LaserGlow.####.exr
>>>>                             ^ ^ ^
>>>> 
>>>> would become
>>>> 
>>>> /pfcluster/Alphaville/PRODUCTION/01_joyluck/RENDERS/3D_ELEMENTS/joyluck_lightTex_v019_ln/LaserGlow/1024x778/joyluck_lightTex_v019_ln_LaserGlow.####.exr
>>>>                             ^ ^ ^
>>>> 
>>>> But my real question is:  everybody has to do this with shots they're 
>>>> using proxies for?  That seems really nuts to me.  I can't imagine 
>>>> everyone has automatic scripts to do this sort of thing. 
>>>>  
>>>> Here's to it
>>>>  
>>>> Bill
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