As anyone who has used RED footage in production knows, the color workflow is a bit of a nightmare. There are many options that each has it's pros and cons. The problems we had earlier with gamma curves (Redlog, Redspace etc), are now working quite well as we have both a linear and a Cineon (RedLogFilm) output. But what about color space? I've been using Redcolor2 for quite some time, but I'm looking at using the Camera RGB option as it seems to have less artifacts. Is anyone using this, and if so, how are you working with the footage? Are you applying a lut that transforms the bleak colors into a more pleasing image or are you just match grading as usual? Is anyone using the ACES output that RED provides?
Thanks, Simon
_______________________________________________ Nuke-users mailing list [email protected], http://forums.thefoundry.co.uk/ http://support.thefoundry.co.uk/cgi-bin/mailman/listinfo/nuke-users
