Ah thank you, jumping from instance to instance of Nuke I must have left it off 
in one of them.

Thanks again frank ! 

Date: Tue, 9 Oct 2012 12:26:08 +1300
From: [email protected]
To: [email protected]
Subject: Re: [Nuke-users] OCIO logLin and Middle Grey


  
    
  
  
    I'm guessing Tahl doesn't have the spi-vfx config set in the
    project's lut settings?!

    If that is set to nuke-default you get the values he posted.

    

    

    On 10/9/12 12:11 PM, Schneider, Abraham
      wrote:

    
    
      
      
      
      Doing exactly what you propose, I'll get a perfect 0.18 for the
      445 swatch when using the OCIO LogConvert node and 0.17965 when
      using OCIO colorspace with in set to 'lg10' and out set to 'lnf'.
      Same behaviour as the normal (not OCIO) Ploglin node.
      

      
      Maybe you have something setup wrong? 
      

        

        
        Here my testscript. The constant is the picked color of the
          Marcie 445 swatch:
        

        
        

        
        #!
          
/Applications/Nuke6.3v8/NukeX6.3v8.app/../Nuke6.3v8.app/Contents/MacOS/Nuke6.3v8
          -nx

          Root {

           inputs 0

           name /Users/abraham/Desktop/ocio_test.nk

           first_frame 0

           lock_range true

           format "2048 1556 0 0 2048 1556 1 2K_Super_35(full-ap)"

           proxy_type scale

           proxy_format "1024 778 0 0 1024 778 1 1K_Super_35(full-ap)"

           luts {linear {}

             sRGB {}

             rec709 {}

             Cineon {}

             Gamma1.8 {}

             Gamma2.2 {}

             Panalog {}

             REDLog {}

             ViperLog {}

             AlexaV3LogC {}

             PLogLin {}

             SLog {}

             REDSpace {}

             AlexaV2LogC {"((t > 0.1312920 ? (pow(10.0, (t -
          0.3910068) / 0.2471896) + 0.6229143) / 182.20240 : (t +
          0.5651548) / 178.2469) - 0.003907204) * 36 "}}

           defaultViewerLUT "OCIO LUTs"

           OCIO_config spi-vfx

          }

          Constant {

           inputs 0

           channels rgb

           color {0.4349952638 0.4349952638 0.4349952638 0}

           name Constant1

           xpos 173

           ypos -142

          }

          set N16427a60 [stack 0]

          OCIOColorSpace {

           in_colorspace {{4} ln/lnf ln/lnh ln/ln16 lg/lg16 lg/lg10
          lg/lgf gn/gn10 vd/vd16 vd/vd10 vd/vd8 hd/hd10 dt/dt16 cp/cpf
          nc/nc8 nc/nc10 nc/nc16 nc/ncf srgb/srgb8 p3dci/p3dci8}

           name OCIOColorSpace1

           xpos 173

           ypos -11

          }

          push $N16427a60

          PLogLin {

           name PLogLin1

           xpos 293

           ypos -9

          }

          push $N16427a60

          OCIOLogConvert {

           name OCIOLogConvert1

           xpos 55

           ypos -8

          }

          Viewer {

           frame_increment 8

           viewerProcess "Raw (sRGB)"

           input_process false

           name Viewer1

           xpos 179

           ypos 58

          }

          Read {

           inputs 0

           file "/Users/abraham/Dropbox/Vortrag
          Nuernberg/marcie_log.dpx"

           format "1024 778 0 0 1024 778 1 1K_Super_35(full-ap)"

           origset true

           colorspace linear

           raw true

           timecode 00:00:00:00

           name Read1

           xpos -20

           ypos -152

          }

          

          

          
          

            
              Am 09.10.2012 um 00:47 schrieb Tahl Niran:
              
              
                
                  Hoping someone who has some experience
                    with OCIO, espeically at Sony, can clarify this for
                    me. I have been taking a look at the Sony OCIO docs
                    and it all seems pretty clear, I notice that in
                    spi-vfx  they are equating 445 (lg10 value)  with
                    0.18 (inf, inh value) which is great and I like. 

                    

                    What I want to know is, are Sony pre-treating any of
                    the the Film Log files (for example lg10) or using
                    some specific scanning correction not common to the
                    rest of us ? If I just take a nominal dpx log file
                    for example, Marcie. Read that in as Raw Data, then
                    apply an OCIO Log Convert. Then her 445 swatch is
                    not returning a..... 18 more like .1493. Same if I
                    use an OCIO to Colorspace

                    

                    or have I missed something ? 

                    

                    

                    

                    

                    

                    
                      
                              Abraham
                                    Schneider

                                  Head of VFX pipeline / VFX Supervisor

                                

                                

                                

                                ARRI Film & TV Services GmbH

                                Tuerkenstr. 89

                                D-80799 Muenchen / Germany

                                

                                Phone +49 89 3809-1269

                                

                                EMail [email protected]

                                www.arri.de/filmtv

                               Click here
                                to visit us on Facebook!

                            
                    ----------------------- 

                    Tahl Niran

                     www.tahlniran.com
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