Cu genul asta de a pune problema nu vom ajunge nicaieri, nici nu vom intelege nimic din mecanismul acestei expozitii fantomatice, si totusi reale! Cauzele reale ale acestei situatii eu le-am identificat deja - FALIMENTUL INSTITUTIILOR ABILITATE DE A PROMOVA CULTURA ACTUALA! Ce ne tot ascundem dupa degetee noastre groase???
Vladimir On 29/06/07, stefan rusu <[EMAIL PROTECTED]> wrote:
Vladimir, > Raspunsul lui Francesco Elisei il gasesc personal cel putin nepoliticos! > Daca nu de-a dreptul sfidator...De genul: e soare afara, coane? Ba nu, > ploua, conita! > Ar fi onest sa informeze comunitatea artistica asupra felului in care tara > Moldova e reprezentata acolo, altfel putem considera aceasta atitudine una > diversionista. credca nu e nici o problema cu pozitia lui Francesco Elisei, omu sia facut treaba si nui pasa de ce credem noi despre el, problema este cine ia dat girul sa se folosesca de aceasta imagine ( din RM si din Romania) si probabil, sau poate chiar sigur se poate intui aici un interes in anticipare pentru a parazita pe sitatia dezorientata de pe piata artistica din RM. > http://ochiuldeveghe.over-blog.com/article-6795831.html Sa fim seriosi Pavilionul Fanotoma impreuna cu impluturra sa nu are dea face cu problemele din Politica Culturala din RM. Iar cat priveste critica situatie si semnalarile de pe blogul tau, leas cataloga ca unele care incearca sa deturneze la randul sau discutia de la cauzele reale a situatiei pe piata culturala din RM si nu e deloc una constructiva, dimpotriva. Stefan > > > On 27/06/07, US Vladimir <[EMAIL PROTECTED]> wrote: > > > > Dear Francesco Elisei, > > > > it would be very helpful if you could share with us more detailes about > > the participation of Svetlana Ostapovici in the 52nd Venice Biennale. > > Specifically, I would like to ask you what were the criterias according to > > which was selected Svetlana Ostapovici with the project Feel & Crash, and > > what is the story of creation of the Moldovan Pavillion at the Venice > > Biennale? > > Also, could you please answer with what kind of action can we associate > > the creation of the Moldovan pavillion? can we call it 'evasive', > > 'subversive', 'constructive'?, taking into consideration the fact that > > nobody in Chisinau knew about this, at least is wasn't made public. > > It would be faire to share your position, as curator of Moldova's > > Pavillion, with the Moldovan and international artistic community by > posting > > a message to the [Oberlist] mailinglist by sending your thoughts to: > > [email protected] > > > > thank you in advance for your contribution. > > > > > > Vladimir Us > > > > artist & curator > > > > http://usv.info.md > > > > > > > Date: Tue, 26 Jun 2007 18:39:12 +0200 > > > Subject: Info > > > From: [EMAIL PROTECTED] > > > To: [EMAIL PROTECTED] > > > > > > Dear Mr, i'm Francesco Elisei italian curator of the Moldova's paivlion > > in 52 Biennale of Venice. At Venice Svetlana Ostapovici has a great > success. > > The location is very nice. > > > Best regards > > > Prof. Francesco Elisei > > > office: Piazza Aldo Moro 60 > > > 04100 Latina > > > mobile +39 3880412567 > > > > > > > > > ------------------------------ > > Play free games, earn tickets, get cool prizes! Join Live Search Club. > Join > > Live Search Club!< http://club.live.com/home.aspx?icid=CLUB_wlmailtextlink> > > > > _______________________________________________ > > oberlist mailing list > > [email protected] > > http://idash.org/mailman/listinfo/oberlist > > > > > _______________________________________________ oberlist mailing list [email protected] http://idash.org/mailman/listinfo/oberlist
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