-- Moldova Young Artists Association "Oberliht" skype: us.vladimir http://www.oberliht.org.md . . . . . . . . . . . http://idash.org/mailman/listinfo/oberlist portal informational pentru arta si cultura din Moldova information gateway for arts and culture from Moldova
---------------------------- Original Message ---------------------------- Subject: Artinfo Digest, Vol 53, Issue 18 From: [EMAIL PROTECTED] Date: Tue, July 24, 2007 13:00 To: [EMAIL PROTECTED] -------------------------------------------------------------------------- Message: 1 Date: Mon, 23 Jul 2007 02:18:44 +0200 From: Carolyn L Kane <[EMAIL PROTECTED]> (by way of Janos Sugar) Subject: [artinfo] CFP: The Synthetic Aesthetics of New Media Art To: [EMAIL PROTECTED] Call For Papers: _The Synthetic Aesthetics of New Media Art_ Presented by The New Media Caucus in Association with the College Art Association February 20/23, 2008; Dallas, TX http://conference.collegeart.org/2008/ Panel Chair: Carolyn Kane, PhD Candidate Media, Culture, and Communication, New York University [EMAIL PROTECTED] Contrary to traditional aesthetic theories that argue for the primacy of either the subjective and phenomenological, or formal and objective interpretations of artwork, the aesthetics of electronic media, like the logic of technical media itself, is thoroughly removed from anthropomorphic sensibility. One could say that electronic media aesthetics are marked by technical trauma. However, much contemporary new media art criticism exemplifies a hermeneutic approach that seeks to rationalize and transform work into intelligible ?art objects? for canonization and social theories. Is this approach problematic for the logic of technical media? Can certain attributes such as color, form, affect, or sound, effectively reconcile computer based artwork with the subjective and humanistic drives in art making? The panel invites papers that address the aesthetics of New Media art in distinction to previous aesthetic models or media platforms. For instance, papers suggesting the ways in which color, sound, line, form, symbolism, affect, anti-aesthetics, or ideology may be distinct to new media aesthetics are all welcomed. Essentially the panel inquires: what do theoreticians and practitioners address in New Media art, and why? Which artists and / or commercial work do you think best exemplifies these issues? Special attention will be given to those abstracts that are concerned with the use of color in New Media work. Presenters can propose brief lectures; media or artist presentations of their own, or other artists? work; discussions; or other acceptable suggestions. Timeline: Due by October 1, 2007: * Abstracts (max 500 words) * Paper / Presentation Titles * Confirmation that presenters will be able to travel to Dallas on February 20-23, 2008 * Current CV and a brief bio. * Specification of presentation format Send proposals and / or any question to Carolyn Kane [EMAIL PROTECTED] For CAA conference information visit: http://conference.collegeart.org/2008/ End of Artinfo Digest, Vol 53, Issue 18 ***************************************
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