-- Moldova Young Artists Association "Oberliht" skype: us.vladimir http://www.oberliht.org.md . . . . . . . . . . . http://idash.org/mailman/listinfo/oberlist portal informational pentru arta si cultura din Moldova information gateway for arts and culture from Moldova
---------------------------- Original Message ---------------------------- Subject: SPECTRE Digest, Vol 55, Issue 21 From: [EMAIL PROTECTED] Date: Fri, September 21, 2007 11:19 To: [EMAIL PROTECTED] -------------------------------------------------------------------------- Message: 5 Date: Fri, 21 Sep 2007 09:42:50 +0200 From: Andreas Broeckmann <[EMAIL PROTECTED]> Subject: [spectre] CFP: Feminist Art - CSA (New York, 22-24 May 08) From: Cultural Studies Association US <[EMAIL PROTECTED]> Date: 13 Sep 2007 Subject: CFP: Visual Culture Division--CSA 2008 Call for Papers "Feminist Art" The Visual Culture Division invites submissions for the Sixth Annual Meeting of the Cultural Studies Association (U.S.) to be held on the campus of NYU in Greenwich Village, in New York City, May 22-24, 2008. Deadline: October 22, 2007 http://www.csaus.pitt.edu/frame_home.htm Feminist Art This is an exciting time in the history of feminist art, as evidenced by the recent opening of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn museum, the Feminist Futures conference at MOMA, the WACK! show at the Los Angeles Museum of Contemporary Art, the National Museum of Women in the Arts, the establishment of the Feminist Art Project, and issues focusing on feminism and art in the National Women's Studies Association Journal (Spring 2007) and Signs (Winter 2008). Such flourishing institutional discourse would seem to suggest, more than 35 years after the publication of Linda Nochlin's "Why Have There Been No Great Women Artists?" women artists, that some parity is finally being achieved. Yet, as artists and activists participating in each of these venues note, women continue to be underrepresented in the shows and collections of museums, galleries, and collectors. More importantly, women artists of color, gay/lesbian/trans/bi-gendered artists, and global women's issues continue to be marginalized within many of feminism's institutionalized venues and discourses. What is the role of feminist art today? What does it look like? Who does it include and who does it exclude? How can it continue to impact the social and cultural values surrounding gender, race, and sexuality today? Theories, critiques, histories, counter-histories, and counter-memories of feminist art, past, present, and future are welcome. For more information: <http://www.csaus.pitt.edu/frame_home.htm> Please submit via email a 500-word abstract of a 15-20 minute paper proposal, including name, department, and institutional affiliation, email address, and brief CV by October 22 to: Kelly Dennis Chair, CSA Visual Culture Division Department of Art and Art History 830 Bolton Rd U-1099 University of Connecticut Storrs, CT 06269-1099 [EMAIL PROTECTED] _______________________________________________ SPECTRE mailing list [EMAIL PROTECTED] http://post.openoffice.de/cgi-bin/mailman/listinfo/spectre End of SPECTRE Digest, Vol 55, Issue 21 *************************************** _______________________________________________ oberlist mailing list [email protected] http://idash.org/mailman/listinfo/oberlist
