Use this area to offer a short preview of your email's content.

View this email in your browser 
(http://us8.campaign-archive2.com/?u=3b32170d2608944c1994e6c7f&id=bb2dd9875e&e=7d15622f24)

editors: Tomislav Medak & Goran Sergej Pristaš
publisher: BADco.
editorial design: Katarina Popović

ISBN: 978-953-56603-2-3

A CIP catalogue record for this book is available in the Online Catalogue of 
the National and University Library in Zagreb as 876776.
------------------------------------------------------------


** Our newest publication is available for download in PDF format!
------------------------------------------------------------


**
Time and (In)Completion – Images And Performances Of Time In Late Capitalism

------------------------------------------------------------

reader of the symposium Broken Performances: Time and (In)Completion 
(http://badco.us8.list-manage.com/track/click?u=3b32170d2608944c1994e6c7f&id=1f7f16a9ec&e=7d15622f24)

authors: Marie-Luise Angerer, Sean Cubitt, Karin Harrasser, Siniša Ilić, MASKA 
– Research Group (Nika Arhar, Katja Čičigoj, Martina Ruhsam, Katja Založnik), 
Tomislav Medak, Benjamin Noys, Goran Sergej Pristaš, Stephen Zepke

Download the reader in PDF format here 
(http://badco.us8.list-manage.com/track/click?u=3b32170d2608944c1994e6c7f&id=1a7bf13547&e=7d15622f24)
 !

The reader Time and (In)Completion examines relations between the present-day 
modalities of time and the production of forms of life.

"Time-scarcity” becomes a relevant topic not only from a social or biological 
perspective, but also as a dramaturgical and performative problem. Having 
developed in the 20th century in connection with the principles of Fordism and 
Taylorism (endless motion, speed of execution, oscillation between order and 
chaos, the regulated and the coincidental), the development of contemporary 
performance, especially dance, over the last two decades has reflected the deep 
changes brought about by post-Fordist modes of labor (cognitive and affective 
virtuosity, multi-layered temporality, proximity, collaboration processes, 
openness of work, etc.). In this sense, different choreographic practices 
should not be understood only as aesthetic practices, but also as wider social 
processes of distributing bodies in time and space.

Simultaneously, the pervasive erosion of differences between screen 
technologies of cinema, television, and computers, results in new ideologies of 
speed and compression, which opens new possibilities to rethink elaborative 
slowness and strategies of recapitulation in performance.

This book is published within the project TIMeSCAPES, Images and performances 
of time in late capitalism, a partner project of BADco. (Zagreb), Maska 
(Ljubljana), Science Communications Research (Vienna), Walking Theory 
(Belgrade), Film-protufilm (Zagreb) and Academy Of Dramatic Arts, University of 
Zagreb. With the support of the Culture Programme of the European Union.

============================================================
_________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

BADco. is supported by:
City Office for Culture Zagreb
Ministry of Culture, Croatia

BADco. is coordinator of TIMeSCAPES, Images and performances of time in late 
capitalism, a partner project of BADco. (Zagreb), Maska (Ljubljana), Science 
Communications Research (Vienna), Walking Theory (Belgrade) and Film-protufilm 
(Zagreb). With the support of the Culture Programme of the European Union.

BADco. is co-organizer of LABO21 - European Platform for Interdisciplinary 
Research on Artistic Methodologies, a partner project of BADco. (Zagreb), 
Random Dance (London), Troubleyn (Antwerp) and International Choreographic Arts 
Centre (Amsterdam). With the support of the Culture Programme of the European 
Union.

BADco.
http://badco.us8.list-manage.com/track/click?u=3b32170d2608944c1994e6c7f&id=d0413832d7&e=7d15622f24
[email protected]

This email was sent to [email protected]
why did I get this? 
(http://badco.us8.list-manage1.com/about?u=3b32170d2608944c1994e6c7f&id=f01c08fe13&e=7d15622f24&c=bb2dd9875e)
     unsubscribe from this list 
(http://badco.us8.list-manage.com/unsubscribe?u=3b32170d2608944c1994e6c7f&id=f01c08fe13&e=7d15622f24&c=bb2dd9875e)
     update subscription preferences 
(http://badco.us8.list-manage.com/profile?u=3b32170d2608944c1994e6c7f&id=f01c08fe13&e=7d15622f24)
BADco. · Kozarčeva 26 · Zagreb 10000 · Croatia

Email Marketing Powered by MailChimp
http://www.mailchimp.com/monkey-rewards/?utm_source=freemium_newsletter&utm_medium=email&utm_campaign=monkey_rewards&aid=3b32170d2608944c1994e6c7f&afl=1
_______________________________________________
oberlist mailing list
[email protected]
https://lists.idash.org/cgi-bin/mailman/listinfo/oberlist

Reply via email to