Salonul de proiecte invites you on Friday, 19 December, 18.00, at Carturesti
Verona book shop, at the launch of the book Dear Money. The Dear Money project
was inspired by a work of artist Marina Albu and consists of forty
contributions submitted by artists with whom the curatorial programme Salonul
de proiecte had worked until 2013. The works tackle the relationship between
art and money from various angles, through the perspective of some of the most
relevant Romanian artists working today. The project also provides the
opportunity to look back on Salonul de proiecte’s activity, a program that
functions within The National Museum of Contemporary Art, Bucharest. The
theoretical texts by Bogdan Ghiu, Michael Baers and Suzana Milevska
re-dimension these contributions to a certain extent, projecting them onto the
backdrop of complex, current, urgent debates concerning the global crisis of
the capitalist system. The project presentation texts are written by Diana
Ursan.
Artistic projects by:
Marina Albu, Apparatus 22, Matei Bejenaru, Anca Benera & Arnold Estefan, Alex
Bodea, Mihuț Boșcu Kafchin, Răzvan Botiș, Tudor Bratu, Geta Brătescu, The
Bureau of Melodramatic Research, Anetta Mona Chișa & Lucia Tkáčová, Andreea
Ciobîcă, Coate-Goale, Irina Costache & Simina Guga, Cristina David, Paul Dunca,
Tatiana Fiodorova, Bogdan Gîrbovan, Ion Grigorescu, Mihai Iepure-Górski,
Cătălin Ilie, Daniel Knorr, Mihaela Michailov, Aurelia Mihai, Olivia
Mihălțianu, Mixer, Monotremu, Ciprian Mureșan, Daniela Pălimariu, Delia Popa,
Raluca Popa, Ghenadie Popescu, Veda Popovici, Anca Munteanu Rimnic, Flaviu
Rogojan, Cristian Rusu, Ștefan Sava, Soyons Impossibles, Ștefan Tiron, Iulia
Toma
Text contributors:
Michael Baers is an American artist and writer based in Berlin. His work has
appeared in the context of the 10^th Sharjah Biennial, the 6^th Momentum
Biennial, and Manifesta 08, and he has appeared in group shows at the Van
Abbemuseum and Künstlerhaus Graz, among others. He has contributed comics and
essays to many publications such as Chto Delat, Modern Painters, A Prior, and
the e-flux journal, as well as to enumerable print initiatives. In May 2014 he
published his first graphic novel, An Oral History of Picasso in Palestine,
based on oral history research on Khaled Hourani's Picasso-in-Palestine project
as part of the third Berlin Documentary Forum at Haus der Kulturen der Welt. It
is available as a download at
http://salonuldeproiecte.us7.list-manage.com/track/click?u=fb845600907f7cfa878a97215&id=880e3f295d&e=25d374b539
Bogdan Ghiu is one of the best known Romanian poets of the “80’s Generation”,
essayist, cultural critic and theorist (literature, philosophy, media, art,
urbanology, traductology) and french theory translator. Former student of
Jacques Derrida, he is the author of some twenty books, among which (The
Cardboard Poem) Traces of Destruction on Mars, 2006, I, the Artist. Life after
Survival. Bar Code for Art’s Monstrous Future, 2008, Telepithecapitalisme.
Media Middle Ages 2005-2009, 2009, The Counter-Crisis, Dadasein and
In-construction. For an ethic arhitecture, 2011, The Production Line. Working
with Art, 2014.
Suzana Milevska is a theorist and curator of visual art and culture from
Macedonia. Currently she teaches at the Academy of Fine Arts in Vienna as the
first Endowed Professor for Central and South European Art Histories. Her
theoretical and curatorial interests include postcolonial critique of hegemonic
power regimes of representation, feminist art and gender theory, participatory
and collaborative art practices. Milevska published the books Gender Difference
in the Balkans, Saarbrucken: VDM Verlag, 2010, and The Renaming Machine: The
Book that summarised her interdisciplinary project Renaming Machine
(2008-2010). In 2012 she won the Igor Zabel Award for Culture and Theory.
Diana Ursan writes mostly about contemporary art. She studied at the Art
History and Theory Department at the National University of Arts in Bucharest,
where she is currently a PhD candidate, working on a research based on art
market alternatives, applied to the local artistic scene. She lives and works
in Bucharest.
Design: Radu Manelici (Faber Studio)
A project published by: Salonul de proiecte Association, The National Museum of
Contemporary Art, Bucharest. Editorial project published with the support of
The Administration of The National Cultural Fund.
Salonul de proiecte is a curatorial program of the National Museum of
Contemporary Art Bucharest, initiated by Magda Radu and Alexandra Croitoru. The
program focuses through exhibitions, presentations, and debates on the Romanian
contemporary art, while positioning young artists’ productions into a broader
generational context, local as well as international.
Team: Magda Radu, Alexandra Croitoru, Ștefan Sava and Dana Andrei
Salonul de proiecte
MNAC Anexa Building, 2nd floor
Calea Mosilor 62-68, Bucharest, Romania
Wednesday – Sunday / 10.00-18.00
www.salonuldeproiecte.ro
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