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Open call: a seminar for young performing arts curators, artists and
researchers at the Konfrontacje Festival
EEPAP Performative Centre, Konfrontacje Teatralne Festival, Lublin, Poland
Lublin, Poland (11-15.10.2017)
WHAT IF THAT WAS YOUR VERY LAST FESTIVAL EDITION?
Open call for a seminar addressed to young performing arts curators, thinkers,
researchers and practitioners, based in Central and Eastern Europe.
Tutors: Gundega Laivina, Daniel Blanga Gubbay
Festivals are definitely one of the most influential art institutions in the
contemporary performing arts field. They showcase the works of artists, but
frequently produce and promote them as well; they act as an intermediary
between the artist and the audience; they co-create and actively shape critical
discourse accompanying artistic praxis (catalogues, translations, publishing
series, thematic books, etc.), thus actively informing the ways of thinking
about theatre and dance, and participating in setting out the directions in
which these develop. An examination of the current international circulation of
performing arts will show that it is primarily shaped by festivals. What is the
impact of the understanding of the festival as situating it in the space of
public institutions of art? What task and what responsibility (to artists as
well as to audiences) does the festival have; what role does it play in forming
the exchange of thoughts and experiences and in shaping new artistic proposals?
At the same time, in the festival context, artists’ working conditions have
become precarious; artistic practice, stretched between one project and the
next, lacks continuity, focusing instead on the result and the end product.
Moreover, festivals proved to be a perfect instrument of promoting the
so-called creative class: international contacts and (geographically and
financially) wide-ranging arts projects have become very fashionable indeed. If
we look at the festival from that point of view, we will see that not only is
it, to a large extent, the product of the neoliberal system, but it also
reinforces and consolidates the neoliberal order. An urgent question presents
itself here: how can festivals meet the basic criteria of a public art
institution if at the same time they are so strongly embroiled in neoliberal
mechanisms? And another one: given these circumstances, is it possible to think
of a festival as a critical, emancipatory space? If so, how can that potential
be unlocked?
We would like to propose that young performing arts curators, thinkers,
researchers and practitioners reflect on the contemporary position, role and
responsibility of a festival, to workshop together the possible (and
impossible!) ideas on how to hijack it, how to regain it as a common space. Let
us try to think of the impossible as possible; to embrace the impossible and to
find a space for it. What if none of the conditions and ways of working that we
know is left? What if the festival was another attempt to embrace the public
space? What if, instead of presenting works to more or less professional
audiences, we contradict the festival mode and use its tools to create a space
which is not production-driven, but focused only on the present time? What if
the art institution turns out to be a common space, inclusive of the groups in
society that have always been excluded? What if we are delayed? What if that
was the last edition of your festival — how would you think on its program
then? Let us imagine the impossible, let us make a room forit– the
circumstances and contexts we have known until now are shrinking anyway and
there definitely is a space (and need!) for the unthinkable.
Gundega Laiviņa runs the New Theatre Institute of Latvia, a project-based
organization working in the field of contemporary performing arts. Since 2009
she has been the artistic and managing director of Homo Novus, the
International Festival of Contemporary Theatre. Gundega has studied music,
theory of culture and social anthropology. In 2011 and 2015 she was a curator
of the Latvian National exposition at the Prague Quadrennial of Performance
Design and Space (exposition The Submission was awarded with the golden medal
for the total performance design in 2015); from 2010 till 2014 she was a member
of the artistic board of Riga – the European Cultural Capital 2014 and was
specifically responsible for site-specific initiatives and projects involving
communities.
Daniel Blanga Gubbay is a Brussels-based researcher and curator of public
programs. He graduated in Italy with Giorgio Agamben at the Architecture
University of Venice, and got a PhD in Cultural Studies and a postdoc in
Düsseldorf on the transformation of the concept of the possible in Modernity.
He teaches Political Philosophy of the Arts, and currently holds the position
of the head of the performance and choreography department at the Royal Academy
of Fine Arts in Brussels. He works as a dramaturge for the
Kunstenfestivaldesarts. He is part of the curatorial board for LiveWorks and is
the initiator and curator of Aleppo, a research platform engaged in public
programs in performance and political theory, appearing as open and free
Imaginary Schools.
EEPAP Performative Centre is conceived as a research and artistic practice
laboratory which creates and elaborates the discourse around contemporary
performing arts practices. The Centre’s mission is to create a space which
enables an open, animated dialogue, not subordinated to the market principles
and free from hierarchical academic structures. The program will consist of
research and residency projects, seminars, discussions and workshops, always
combining theory and practice in the field of contemporary performing arts.
The Centre’s main goal is to offer artists, thinkers and culture workers a time
and space to think and practice instead of forcing them to produce new events.
The Centre offers a space which is focused on developing choreographic and
performing arts practices and strengthening critical reflections around them in
the social, political and economic context.
EEPAP Performative Centre is a new initiative by EEPAP (www.eepap.culture.pl
<http://www.eepap.culture.pl/>) and the Centre for Culture in Lublin, Poland
(http://ck.lublin.pl/en/ <http://ck.lublin.pl/en/>) and is curated by Marta
Keil.
How to apply?
Please send a cv and a short motivation letter to the address [email protected]
<mailto:[email protected]> until the 10th of September. We will reply by the 14th of
September.
Deadline: September 10th, 2017
Seminar will be held in English.
EEPAP covers the travel and accommodation costs of the participants and offers
tickets for the festival Konfrontacje (www.konfrontacje.pl
<http://www.konfrontacje.pl/>). The participants will be asked to write short
essays after the seminar.
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East European Performing Arts Platform
The Centre for Culture in Lublin
20−007 Lublin, Poland
Peowiaków 12 Street
+48 81 466 61 18
[email protected] <mailto:[email protected]>
www.eepap.culture.pl
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