http://www.iht.com/articles/2007/02/16/news/japan.php

Cuddly characters front Japan's military aspirations
The Associated Press
Published: February 16, 2007

TOKYO: Prince Pickles, a perky cartoon character with saucer-round eyes, 
big dimples and tiny, boot-clad feet, poses in front of tanks, rappels 
from helicopters and shakes hands with smiling Iraqis.

The cutesy icon hardly calls to mind the Japanese military that 
conquered and pillaged its way across Asia during World War II, and that 
is just the way the country's leaders want it.

As Japan sheds its postwar pacifism and gears up to take a higher 
military profile in the world, it is enlisting cadres of cute characters 
and adorable mascots to put a gentle, harmless sheen on its deployments.

"Prince Pickles is our image character because he's very endearing, 
which is what Japan's military stands for," said Shotaro Yanagi, a 
Defense Agency official. "He's our mascot and appears in our pamphlets 
and stationery."

Such characters have long been used in Japan to win hearts and minds and 
to soften the image of authority.

The Tokyo Metropolitan Police tries to lighten its stern image with 
Peopo, which looks like a cross between a rabbit and a space trooper. 
The cellphone company NTT DoCoMo has a smiley mushroom, while rival KDDI 
sports a squirrel with headphones.

The Japanese government hopes the same tactic can work overseas.

Foreign Minister Taro Aso has proposed sending animation or cartoon 
artists abroad as cultural ambassadors, and the government has named a 
panel of executives to advise ways to market Japanese animation and 
culture to foreign audiences.

Aso argues that warm feelings for Japanese animation can translate into 
warm feelings for Japanese foreign policy.

"The more positive images pop into a person's mind, the easier it 
becomes for Japan to get its views across," Aso said in a speech last 
year to budding artists at Tokyo's Digital Hollywood University, whom he 
called the "people involved with bringing Japanese culture to the world."

The strategy faces considerable hurdles.

Many people in neighboring China and South Korea are still bitter over 
Japan's wartime atrocities in the 1930s and '40s, and moves to raise 
Tokyo's military stature, like changing the pacifist Constitution to 
allow more overseas missions, are met with suspicion in the region.

Some critics also doubt that cartoon characters will work outside 
Japanese culture, which exhibits an enduring fascination with childlike 
innocence — even in adults.

"This could only happen in a country that is so open to immaturity," 
said Rika Kayama, a psychiatrist and author. "Authorities here feel it's 
easier and less threatening to use characters to get the public to 
accept them, rather than explain the facts."

The animated images mask real moves by Japan's leaders to bolster 
nationalist sentiment and flex military muscles abroad. The Defense 
Agency was upgraded to a full ministry in January. Prime Minister Shinzo 
Abe wants to expand military operations with Japan's top ally, the 
United States.

Japan staged its first post-World War II military mission in a country 
at war in 2004, when it sent 600 noncombat troops to Iraq. The troops 
withdrew last year, but the government is eager to find another venue 
for a dispatch.

Officials in Tokyo say their cute offensive is working.

During Japan's mission to Iraq, the military decorated water trucks with 
a figure from a globally popular Japanese soccer cartoon, variably known 
as Captain Tsubasa in Japanese, Flash Kicker in the United States and 
Captain Majed in Arab countries. "Everybody loved it," said Aki Tsuda of 
the Foreign Ministry's aid department.

"Cultural diplomacy could be one of the most effective tools of Japanese 
diplomacy," said Hiro Katsumata, a research fellow at the Institute of 
Defense and Strategic Studies in Singapore.

"In a decade or two, younger generations in many countries who love 
Japanese cartoons will start to fill leadership roles," he said. "Japan 
can benefit from that."

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