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le

The Washington Post

Anger Is All The Rage

By George F. Will
Sunday, March 25, 2007; B07

During the divisive War of 1812, a livid woman famous for her long 
hair rode to the White House, stood in her carriage, let down her 
tresses and proclaimed that she would gladly be shorn of them if they 
would be used to hang President James Madison. That anecdote, from 
Catherine Allgor's biography of Dolley Madison, shows that today's 
theatrical anger is not without precedent. But now there is a new 
style in anger -- fury as a fashion accessory, indignation as 
evidence of good character.

Under the headline "San Franciscans Hurl Their Rage at Parking 
Patrol," the New York Times recently described the verbal abuse and 
physical violence -- there were 28 attacks in 2006 -- inflicted on 
parking enforcement officers in a city that has a surplus of 
liberalism and a shortage of parking places. Parking is so difficult 
that George Anderson, a mental health expert, has stopped holding 
lectures there because his audiences arrive seething about their 
parking frustrations. Anderson represents the American Association of 
Anger Management Providers.

Of course. San Francisco, a showcase for expressive individualism, is 
full of people bristling with rights and eager to rebel against 
oppressive authority, but having a hard time finding any. The only 
rules concern parking.

No wonder Americans are infatuated with anger: It is democratic. 
Anyone can express it, and it is one of the seven deadly sins, which 
means it is a universal susceptibility. So in this age that is proud 
of having achieved "the repeal of reticence," anger exhibitionism is 
pandemic.

There are the tantrums -- sometimes both theatrical and perfunctory 
-- of talking heads on television or commentators writing in vitriol 
(Paul Krugman's incessant contempt, Ann Coulter's equally constant 
loathing). There is road rage (and parking lot rage when the Whole 
Foods Market parking lot is congested with expressive individualists 
driving Volvos and Priuses). The blogosphere often is, as one blogger 
joyfully says, "an electronic primal scream." And everywhere there is 
the histrionic fury of ordinary people venting in everyday 
conversations.

Many people who loathe George W. Bush have adopted what Peter Wood 
describes as "ecstatic anger as a mode of political action." Anger 
often is, Wood says, "a spectacle to be witnessed by an appreciative 
audience, not an attempt to win over the uncommitted."

Wood, an anthropologist and author of "A Bee in the Mouth: Anger in 
America Now," says the new anger "often has the look-at-me character 
of performance art." His book is a convincing, hence depressing, 
explanation of "anger chic" -- of why anger has become an all-purpose 
emotional stance. It has achieved prestige and become "a credential 
for group membership." As a result, "Americans have been flattening 
their emotional range into an angry monotone."

Wood notes that there is a "vagueness and elasticity of the 
grievances" that supposedly justify today's almost exuberant anger. 
And anger is more pervasive than merely political grievances would 
explain. Today's anger is a coping device for everyday life. It also 
is the defining attribute of an increasingly common personality type: 
the person who "unless he is angry, feels he is nothing at all."

That type, infatuated with anger, uses it to express identity. Anger 
as an expression of selfhood is its own vindication. Wood argues, 
however, that as anger becomes a gas polluting the social atmosphere, 
it becomes not a sign of personal uniqueness but of a herd impulse.

Once upon a time, Americans admired models of self-control, people 
such as George Washington and Jackie Robinson, who mastered their 
anger rather than relishing being mastered by it. America's fictional 
heroes could be angry, but theirs was a reluctant anger -- Alan Ladd 
as the gunfighter in "Shane," Gary Cooper as the marshal in "High 
Noon." Today, however, proclaimed anger -- the more vituperative the 
better -- is regarded as a sign of good character and emotional 
vitality.

Perhaps this should not be surprising, now that Americans are 
inclined to elect presidents who advertise their emotions -- "I feel 
your pain." As the late Mary McGrory wrote, Bill Clinton "is a child 
of his age; he believes more in the thrust-out lower lip than the 
stiff upper one."

The politics of disdain -- e.g., Howard Dean's judgment that 
Republicans are "brain dead" and "a lot of them never made an honest 
living in their lives" -- derails politics by defining opponents as 
beyond the reach of reason. The anger directed at Bush today, like 
that directed at Clinton during his presidency, luxuriates in its own 
vehemence.

Today, many people preen about their anger as a badge of 
authenticity: I snarl, therefore I am. Such people make one's blood 
boil.


 


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