http://www.wnd.com/news/article.asp?ARTICLE_ID=59796
 
DISPATCHES FROM THE FRONT LINES
Obsession with reality makes film different
Result is 'a pulsating pictorial of the effects of terror'

  _____  

Posted: January 22, 2008
1:00 a.m. Eastern



......Note:  Several graphics available on the website 


Editor's note: Reporter Matt Sanchez, currently embedding with military
units throughout both Iraq and Afghanistan, has been providing WND readers
with a glimpse into the war on terror most Americans have never seen. 



By Matt Sanchez


  _____  

C 2008 WorldNetDaily.com 


This spring, Pat
<http://www.wnd.com/redir/r.asp?http://patdollard.com/young-americans>
Dollard's Young Americans will air on cable television, the result of years
of work. But there's a good reason for the time it has taken: Pat Dollard is
a man obsessed with reality, his reality of the war he experienced while
embedded with the 3rd battalion 7th Marines in Ramadi. 


Mixing that desire with Hollywood never is simple, either. Getting attention
for movie projects often is a large part of the goal, with much of a
project's budget going to advertising. Just that attention can make a film a
blockbuster or package it for the discounted DVDs. Publicity is everything
in Hollywood, and that's what makes the films about the war in Iraq so
different. 


Despite a lot of attention, films like Redacted have been shunned by mass
audiences and panned by critics who actually wanted to like the film or
agree with the message. 


"I am glad the movie was made, and I wish it were better," said a New York
Times film critic in an attempt to be as flattering as possible to much
celebrated director Brian De Palma. 


(Story continues below) 


Dollard got nowhere near that type of generosity. In an article written for
Vanity Fair, Pat Dollard is excoriated as a pro-war cheerleader.
Surprisingly, The New York Times also gave an unflattering portrayal of
Dollard. 


Despite the criticism from places both expected and not, Dollard's Young
Americans will be a make or break endeavor. 


At a studio in Santa Monica, Pat and his editorial assistant Donnie "dB"
Bracamontes put the final touches on the third episode in the Young American
series. Critics who complain Hollywood has not accurately portrayed Iraq
will need to be careful for what they wish. 


Dollard trumps the pretenders by giving such an engaging view of Iraq, I
found myself watching the 30-minute episode half-way out of my seat. The
episode showed the Marine response to a major bombing at the Ramadi glass
factory. What follows is not just a CNNesque report on raw violence, but a
pulsating pictorial of the effects of terror. 



The first five minutes were exhilarating and frightening. I found myself
nodding my head and anticipating what was going to happen, because I had
been there before. 


Dollard himself makes no pretense of objectivity, his website sells "Jihad
Killer" shirts and during Young Americans the audience will hear Dollard's
voice give on-the-spot editorials. 


"You see, you liberals, this is what you're supporting!" 


There really is no substitute for being there, but it takes an entirely
different personality to choose a place because it's dangerous. 



"I went to Ramadi because I knew it was going to be the next Fallujah," Pat
said, referring to the 2004 Battle of Fallujah, when Marines cordoned off
the city and swept through to weed out entrenched terrorists dreaming of
jihad. 


By the time I saw Fallujah in 2007, I met some of those Marines who helped
to clear out the town nicknamed "The City of Mosques." But even those
riflemen had an eerie reverence for the violence in Ramadi. 


The battles of Fallujah were extremely violent, but Ramadi was supposed to
be the capital city of the al Qaida-proclaimed Islamic Republic of Iraq.
Unlike Fallujah, Ramadi was the city that had kept the Marines under siege,
and not the other way around. 


Young American editor dB Bracamontes won a Clio Award for editing, and has
worked on the trailers for major releases: Transformers, Batman Begins, I Am
Legend and the list goes on. In a city where people make a lot of money
pretending to be someone else Bracamontes is the real deal working behind
the scenes to make so many others stand out. Although dB is accustomed to
demanding directors, Dollard is obsessed. 



VIDEO:3rd Battalion 7th Marines Corporal on a 2nd tour of Ramadi remembers
how the city was the last time. 

    ACCESS VIDEO BY CLICKING URL        

"I knew I had to go over [to Iraq], because Hollywood would never make this
film." 


It's one thing to believe in a cause - Dollard says he was not at all
surprised by 9/11 - it is entirely another to risk bodily harm in order to
prove a point. So far, Dollard is right, Hollywood has not attempted to make
an accurate film on Iraq, and Dollard has paid a high price to prove this
point. 


On a night patrol, Patrick Dollard and his Marine escorts were hit by an
IED. Lt. Almar Fitzgerald and Cpl. Matthew Conley were killed in the violent
assault. Dollard still has physical problems from that night, but speaks
less of his own injuries and more of the Marines who lost their lives. 


"Corporal Conley's first child was born within a week or two of his father's
death." 



This is the mood permeating Young Americans, a blend of dread, suspense and
violence mixed in with sorrow, reflection and humor. In other words, this is
precisely what being in Iraq is like. 


"This isn't Dog the Bounty Hunter, this is the real thing," Dollard said
when we talked about the rush of going on night house raids in places where
the participants had no intention of making speeches for the cameras. 


Over half a year and 600 hours of footage in the formerly most dangerous
place on earth has had a spill-over effect into how Dollard perceives the
world today. 


"The best of spiritual America, the spirit of America is in Iraq," is how he
describes it. Being spared when so many around him died has had a profound
effect on this documentarian. "I'm a God man myself." 


A part of this literal cultural warrior still is in Ramadi. "I feel contempt
for the average civilian," Dollard says. "I can't stand that I live in a
culture, especially in Hollywood, where measure of man is self-indulgence." 


Young Americans debuts this spring on Showtime. You have been warned. 

 



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