hahaha...

ton, makanya jangan lagi pake semboyan yang diusung GM Su dkk , bahwa kartun 
atau karikatur itu harus lucu ,  tepo seliro. biar si didie ws aja ...

hahaha...


>From: tonni malakian <[EMAIL PROTECTED]>

>Bill Leak: The Last of the Larrikins
>August 18, 2002
>Reporter : Max Cullen
>Producer : Catherine Hunter
>Former Labor minister and broadcaster, Graham Richardson, describes Bill
>Leak as the "last great leftie" in Australia. And his cartoons certainly
>show no sympathy with the Howard Government. But Bill Leak is not just a
>cartoonist. He's also a caricaturist, a portrait painter and most recently,
>a radio host.
>
>Max Cullen profiles Bill Leak, a self-described schizophrenic, who says of
>his work, "one side of the work is immortalising people in painting
>portraits or trying to make an enduring statement through painting and the
>other side is taking the piss mercilessly out of people and I enjoyed both
>equally and still do." Max spent a day with him in the offices of The
>Australian as he created his "Australo Politicus" cartoon — Leak's take on
>the finding of a seven-million-year-old skull in the African desert. He
>traces the evolution of prehistoric man to John Howard. Leak told Cullen, 
>"I
>believe these early hominids have very pronounced bottom lips ... put a bit
>of hair [there] and incredibly, almost miraculously, it looks a lot like
>John Howard ? and I think I am onto something here."
>
>   Warren Brown, a cartoonist for the Sydney Daily Telegraph, told Max, "He 
>has
>this thing about John Howard and every time he opens The Australian ? Bill
>has him down pat, and he's got this kind of ape-like quality to him and 
>when
>GST came in, his lip became 10 percent bigger and his face drips out like
>that." Cullen asked Leak if he thought John Howard found his cartoons 
>funny.
>Leak answered with a straight face, "I'm sure he does. I'm sure he looks
>forward to them. I wouldn't do it if he didn't."
>
>   Given those views, Graham Richardson praises the bravery of Leak. "He's 
>got
>a ton of courage, but there is always that hint that he might be a bit
>troppo and I think that he likes that and doesn't try to hide it. I think 
>he
>is out on the edge and that's the only place that Bill Leak would want to
>sit." Comedian Richard Fidler adds, "I think Bill is probably the premier
>cartoonist in this country. He is always prepared to go much further than
>other cartoonists."
>
>   Robert Desmond Leak, who has always been known as Bill, was born into a
>musical family. His father Reg was a working man with strong left-wing 
>views
>and his mother was a piano teacher. They hoped he would become a musician,
>but he always wanted to be an artist. After school, Leak went to Julian
>Ashton's to study art. It was here that he found a flair for portraiture.
>
>   Conductor Richard Gill said, "When I first knew him, his passion was
>painting. There were no two ways about it. He was painting furiously and 
>was
>painting all sorts of stuff. There were portraits, still lifes, and it was
>fast and furious." One of his early commissions was to paint Australian
>icon, Sir Donald Bradman ? a daunting prospect. But Leak did so well,
>Bradman let him do a second painting, for the National Portrait Gallery.
>"Bradman complained, 'look at that face,' and I said 'what's the matter 
>with
>it?' 'You've made me look too old,' and I said 'that's what you will look
>like when you are old'."
>
>   Leak has lost the Archibald Prize more times than anyone else. Max 
>Cullen
>talks to a former victim, Graham Richardson, who sat for Leak in 1995. "You
>will always see yourself as somewhat more handsome, more debonair and more
>dashing than perhaps the painter," said Richardson. "I thought no-one could
>be that ugly but maybe I was wrong." Leak said Richardson was disgusted 
>with
>it, and told him: "I suppose in your arty-farty parlance, you'd regard this
>a breakthrough, wouldn't you? Why couldn't you have had your bloody
>breakthrough with someone else's portrait?"
>
>   Among his many losing Archibald portraits are Chow Hayes, Malcolm 
>Turnbull,
>Les Patterson, Tex Perkins and Robert Hughes. Last year's entry, art critic
>Robert Hughes, seemed to be a shoo-in for the prize, but again he lost.
>Richard Fidler said, "In the Hughes portrait, you really get a sense of
>Hughes after his car crash as a broken man, mostly in body, but somewhat in
>spirit as well, yet there is the defiant face there..."
>
>   Fellow cartoonist, Fiona Katauskas, says of Leak, "He's a total bloke, 
>like
>a classic Australian character: elbows up at the pub, the womanising thing,
>and stuff like that. He embodies [the] larrikin character [that] runs
>throughout his work, his personality, his mates that he has." Meredith
>Burgmann, the President of the NSW Legislative Council, agrees. "He is an
>unashamed bleeding heart about issues like Aborigines, the Republic,
>poverty. He is just an old-fashioned bleeding heart and I love that."
>Leak adds, "When I started doing the cartoons — that very first one, I
>thought 'Bob Hawke will see this', and I couldn't sleep because I was so
>excited at the thought that he was going to see it and that has never, ever
>left me. Whenever I do a cartoon, people will say, 'John Howard is going to
>hate that one,' and I always think, yeah, I reckon he will."
>
>   "As Patrick Cook (Bulletin cartoonist) said, the life expectancy of a
>cartoon is about 10 seconds," says Leak, "but every now and then someone
>will cut the cartoon out and put it on the fridge with a magnet. And that's
>the cartoonist's equivalent of being hung in the Louvre."
>
>   Graham Richardson sums it up best. "Every society needs people like Bill
>Leak, people on the edge. People who push, sometimes who push too hard ? 
>and
>we've lost a lot of those people."

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