On 11/8/08, John Freeman <[EMAIL PROTECTED]> wrote:
> The history of The Globe Theater, and theater in general in Elizabethan
> England, is wonderfully interesting. The predecessor of The Globe was just
> called The Theatre, and it was built on land with a 21 year lease. As the
> lease was about to run out, the land owner wanted the theater out, so raised
> the lease rates hugely. The owners of the theater found a clause in their
> lease that allowed them to dismantle the building, so they did so--all the
> troupe working to haul the materials across the Thames to build another
> theater. The landlord was furious--he had thought he would have the
> materials himself to sell for a profit.
>
> The new theater was built using everything they had learned for the previous
> 21 years, and called The Globe. Across the river was a better place because
> it was outside the boundaries of London. The city was becoming less and less
> permissive of nasty things like theaters, and actors. Eventually all
> theaters were banned in London.
>
> The theater, and acting, were considered to be so disreputable that there
> were no female actors--what women would stoop so low? Female parts were
> generally played by young boys. In spite of this, or maybe because of this,
> theaters were hugely popular. Attendance was very profitable, and the whole
> place was surrounded with a festival type atmosphere.
>
> Admission at the door was one penny. That entitled you to be a "groundling,"
> one of the folks standing on the floor in front of the stage. If you wanted
> to sit in one of the seats around the outside it was another penny--or a
> third penny let you up to the higher levels for a better view.
>
> The stage stuck out into the middle area of the theater--I guess the
> original theater in the round idea. It was about five feet/1.5 meters above
> the ground where the groundlings stood. The high priced seats had roof over
> them, as did the stage, but the groundlings just had to get wet if a bit of
> rain came by--as has been known to happen in England!
>
> The Puritans became a dominant political force in England, and by 1642 they
> had banned all plays in the country. In 1644 the Puritans demolished The
> Globe. It got worse--in 1648 all playhouses were ordered pulled down, all
> players were to be seized and whipped, and anyone caught attending a play
> was fined five shillings. As is generally the case, people eventually got
> tired of the religious repression and the power of the Puritans slipped.
> Theaters finally opened again, but The Globe was never rebuilt--until about
> eleven years ago, that is!
>
> The current reconstruction of The Globe is fascinating. We were privileged
> to tour it with Roger Pattenden, the designer of this and many other
> historically interesting models.
> http://home.clara.net/rogerpattenden/        Roger has
> worked closely with the reconstructors of The Globe, building for them a
> couple of large and highly detailed models for display. His work for them
> was considered so valuable that he was awarded one of the engraved paving
> stones outside, given otherwise to big money contributors to the project.
>
> As I often do, I shrunk this model (can you say "not enough shelf space?")
> to 1/250, or common ship model scale. I will admit this didn't make the
> model any easier to build, as most of the detail is inside and somewhat
> difficult to reach at this scale.
>
> Thank you Roger!
>
> --
> John and/or Marzlie Freeman
> Check us out at--
> http://2oldkiters.smugmug.com/

Excellent, John! I believe we have this kit in the files (Roger sent
several to Demi a few years ago) but with your wonderful photos and
report, we don't have to cut the poor thing up. :-)
-- 
Mike Hungerford
http://users.sdccu.net/chthulhu2/models.html

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