Whose story is being told? By who and in whose interests? Those writers,
musicians, painters, poets, soccer players as they tell these stories-our
stories, which value system drives them? Do they contribute in the
emancipation of our people or perpetuate the state of servitude?

PAC Pimville/Klipspruit branch will be hosting a political workshop on the
16th February 2013 at Pimville Community Centre as from 11h30 am as part of
Sobukwe Month Activity. The topic for the political workshop is: The Role of
Revolutionary Art in new South Africa, for details contact MOafrika Ntsie
Mohloai at 073 236 4780 or Moafrika Lehlohonolo Shale at 076 814 8085. 

The political workshop will locate and debate what constitutes revolutionary
art and also the role of revolutionary artists ranging from writers,
musicians, painters, sculptors, poets, etc. Expected to form part of the
political workshops is Bra Don Mattera, Kgafela wa Mogogodi, Letta Mbuli and
many other young artists including writers. Administrators of arts
institutions will form part of the political workshop to share their
contributions and experiences. People’s Art constitute a critical component
in the raising and heightening political consciousness of the masses,
particularly the African workers, peasants, youth and students.  

I read the following which I share with you "Historically, it is possible to
argue that films based on the questions of ‘nation-building’ dominated the
first phase of African cinema. The filmmakers organized themselves into a
movement called the Fédération Panafricaine des Cinéastes (FEPACI) – the
Panafrican Federation of Filmmakers – and decided to adopt, for the language
of their films, Frantz Fanon’s thesis – “There is no culture but national
culture” – meaning that, to recover the African image from the stereotypes
of Hollywood and properly establish a modern African culture and identity,
the new African films must thematize and chronicle the liberation struggles
of different nations, and denounce neocolonialism and corruption"

As we ponder  about the economic development in the context of emancipation
of Africans from Cape to Cairo- Morocco to Madagascar, we question the role
of artist and the media such as SABC- ETV- Al Jazeera etc in shaping and
influencing the lives – behaviours including the mental attitudes of many of
our people hence we ask, who have we become? Or should it be we have become
who?

Graffiti, murals and other forms of art such as poetry, music and soccer
have transformed public spaces and mobilised public opinion during the epoch
of struggles waged against settler colonial system of capitalism. The
African revolution is not and cannot be afraid of art. Andre Breton wrote
“It realises that the role of the artist in a decadent capitalist society is
determined by the conflict between the individual and various social forms
which are hostile to him. This fact alone, in so far as he is conscious of
it, makes the artist the natural ally of revolution. The process of
sublimation, which here comes into play and which psychoanalysis has
analysed, tries to restore the broken equilibrium between the integral ‘ego’
and the outside elements it rejects. This restoration works to the advantage
of the ‘ideal of self’, which marshals against the unbearable present
reality all those powers of the interior world, of the ‘id’, which are
common to all men and which are constantly flowering and developing. The
need for emancipation felt by the individual spirit has only to follow its
natural course to be led to mingle its stream with this primeval necessity
–the need for the emancipation of man”

Using the words of Andre Breton it is worth to state that , this our African
revolution must do and bear, were it only to deliver intellectual creation
from the chains which bind it, and to allow all mankind to raise itself to
those heights which only isolated geniuses have achieved in the past. We
recognize that only the social revolution can sweep clean the path for a new
culture. If, however, we reject all solidarity with the ruling bureaucracy
and the entire neo colonial system which constitute a form of capitalism now
in full control of Africa and responsible of under-development, exploitation
and social degradation of African workers, unemployed youth and women, it is
precisely because, in our eyes the ruling elite in Africa represents not
emancipation, not freedom and not democracy but the most treacherous and
dangerous enemy of the people particularly the African workers and peasants.

 

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