I like gold wave and I don't exactly have $500 to spend on it, let alone 
$40, although I'd prefer $40 to $400 any day. I'm just curious, is gold wave 
so cheap because sound forge is manufactured and made by sony? I actually 
recently bought a sony stario, and it was...expensive. Just curious.

Tyler
----- Original Message ----- 
From: "Patrick Perdue" <[EMAIL PROTECTED]>
To: "PC audio discussion list. " <Pc-audio@pc-audio.org>
Sent: Friday, January 06, 2006 4:51 AM
Subject: Re[2]: Sound Forge 8 and Noise Reduction Questions


> Hello Bruce,
>
> On Thursday, January 5, 2006, 10:39:29 PM, you bellowed the following:
>> I believe in Gold Wave. It's gotten a lot of knocking over the years from
>> people who sincerely believe that anything other than Sound Forge is a
>> hopeless program to use.
>
>
> Well, I bought goldwave in 1998 after using it for a year as a demo, then
> two more years before switching to sound forge, and
> sure, it's accessible and easy to use for what it is, but the interface
> is a might too non-standard/clunky for me.
> The whole start/end marker thing is a bit of a pain to deal with if you
> don't know ahead of time where you're going to be if you're zipping
> arounmd in huge increments of a multi-hour long file as I do often in
> sound forge.
> I like the one cursor approach myself -- very easy to deal with, and
> it's a lot easier to quickly jump outside of a selection you've made
> without selecting the entire file, or going into an edit box and typing
> in numbers, or jumpng to a queue point that you may have had to set up
> before starting, which then may have changed as certain parts of the
> file get editted out.
>
> Also, the DirectX manager isn't very accessible yet, and Goldwave just
> doesn't have the mastering capability I need. It's compressor is, well,
> a bit plastic, and the noise reduction algorithm is based from FFT,
> which does the whole under-water thing.
> It's saving crase is that the pop/crackle removal thing works pretty
> well on digital cracks such as continuous DC offset issues, but not very
> well on things like restoring vinyl.
>
> The biggest advantage of keeping goldwave for me though is the format
> support it has. Coming from a non-corperate environment, it does support
> more formats than sound forge probably ever will, which I do like still.
>
> It's kind of interesting to note that goldwave seems to have a bigger 
> learning
> curve than sound forge does, at least for basic editting, even for
> sighted folks from what I've read. I started my
> audio editting existence on goldwave, and didn't like sound forge at all
> at first, because.. well, it was too standard and a shock to get used to
> word processing editting concepts applied to audio in such a fassion,
> which I know sounds a bit strange, but there you are.
>
> --
> Good Friday,
> -- 
> Patrick Perdue (MCP, CNA)
> KE4DYI
> Greensboro, NC
> website: http://www.pdaudio.net
> home: +1(828)221-2971
> Mobile hone and SMS: +1(336)509-5583
> e-mail and .net messenger: <[EMAIL PROTECTED]>
> skype: Borris
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