Check with the people that are on ACB radio. I am sure that they will be 
able to fill you in on what they are using in the way of technical 
equipment. As I said in a previous post you don't have to spend an arm and a 
leg to make this all possible. Now as software is concerned, wouldn't studio 
playlist do the job? I'm sorry, I am not an expert when it comes to 
accessible software.  I am sure that someone else can pick up the ball at 
this point and run with it. .
 ----- Original Message ----- 
From: "Judy W" <[EMAIL PROTECTED]>
To: "PC audio discussion list. " <[email protected]>
Sent: Tuesday, January 16, 2007 2:09 PM
Subject: RE: using a mixer


>
> you use it for voice overs and music tracks although you can do it with
> SoundForge goldwave or studio recorder. You can broadcast without a mixer,
> but if you want to do a show with two people on mics or use a cd player 
> then
> a mixer might be nice.
>
> I strongly suggest that you google some tutorials on broadcasting and
> equipment. I've seen several on mics, mixers, and software. Also, basic
> explanations of bit rates and things like limiters and compressers. These
> tutorials are all over the web and you should learn as much as you can
> before you try to choose equipment and software.
>
> Judy
>
>
> -----Original Message-----
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] Behalf Of Corey Cook
> Sent: Tuesday, January 16, 2007 12:53 PM
> To: PC audio discussion list.
> Subject: using a mixer
>
>
> hey all,
> I am new to the world of internet broadcasting.
> and I have a question.
> what is all the talk on here about using a mixer?
> I thought mainly that I only needed broadcast software and a mic, where 
> does
> the mixer come and how would I use it.
> Thanks for the help, and forgive the simple quesions.
>
> Corey Cook
> EMail:
> [EMAIL PROTECTED]
> MSN: [EMAIL PROTECTED]
> AIM: goldadore922
> BLOG: http://www.xanga.com/ciu_nice_guy
> ----- Original Message -----
> From: "Bob Seed" <[EMAIL PROTECTED]>
> To: "PC audio discussion list. " <[email protected]>
> Sent: Tuesday, January 16, 2007 12:05 PM
> Subject: Re: Clarifying M issue with the 58, was Re: mic
>
>
> Chris,
> You hit the nail on the head! We are not talking conventional 
> broadcasting
> here, we are only talking about the internet where the bandwidth is narrow
> to begin with Whether you use a thousand dollar mike or a fifty dollar 
> mike
> the end results are going to be the same when you take the available
> bandwidth into consideration. In order to compensate for the difference in
> bandwidth some broadcasters will go as far as to ad audio processing to 
> the
> mix. They will enhance the audio by putting emphasis on certain 
> frequencies
> giving the impression   that one is listening to good audio. With audio
> processing  It is very easy to trick the human ear into thinking that what
> you are listening too is top notch quality, when in reality we are only
> masking it. The other day there was a debate about cassette tape verses 
> CD.
> We have to keep in mind that the faster the tape travels across the heads
> the better the audio quality. Back in the days of reel to reel tape
> recorders we had several tape speeds to choose from, 1 and 7 eights, 3 and 
> 3
> quarters, 7 and one half, 15, and 30 The laddered two speeds where mainly
> used by broadcasters. Personally I find the phonograph record to be the
> best, as there is a fullness and warmth to the sound provided that you 
> don't
> have a record with a lot of pops on it. The price of mixers and 
> microphones
> have come down considerably over the years. I can get a good microphone 
> for
> around 50 dollars and a Barrenger mixer with all of the bells and whistles
> for about the same. Many broadcasters are now using off the shelf 
> equipment
> for daily use, as the quality is as good as some of the mid priced
> commercial stuff. For an example if an off the shelf CD player packs it in
> you simply throw it away and get a new one, as the labour of repairing it
> would simply be too expensive In conclusion if one is setting up an 
> internet
> radio station there is no need to go into deep debt in order to achieve a
> good sound. One should be able to set up an internet station for well 
> under
> 500 dollars. Provided that you have a computer your major cost will be the
> software, and that too is dropping in cost. Hope this helps.   .  . .  .
> ginal Message -----
> From: "Chris Skarstad" <[EMAIL PROTECTED]>
> To: "PC audio discussion list. " <[email protected]>
> Sent: Tuesday, January 16, 2007 1:44 AM
> Subject: Re: Clarifying M issue with the 58, was Re: mic
>
>
>> My point exactly, Bob. Cory is probably interested in internet
>> broadcasting, if I'm wrong correct me on that one,  and even a 50
>> dollar headset mic will serve your needs just fine for that, if used
>> properly and if your setup allows for such a thing.  Everyone's setup
>> is different and yes, different mics are used for different applications.
>> So it may be the right mic for you, but maybe not.
>>
>>
>>
>> At 12:07 AM 1/16/2007, you wrote:
>>>The question that should be answered is what kind of application wil you 
>>>b
>>>using this microphone for? Microphones are wide and varied , and 
>>>depending
>>>on the application can be expensive or in expensive. There are 
>>>microphones
>>>that are specifically designed for live performances, and there are those
>>>types of microphones that are designed specifically for studios. Now that
>>>we
>>>have computers in most broadcast facilities todays microphones have to be
>>>shielded and properly grounded in order to avoid that anoying 60 herts
>>>hum.
>>>    ----- Original Message -----
>>>From: "Judy W" <[EMAIL PROTECTED]>
>>>To: "PC audio discussion list. " <[email protected]>
>>>Sent: Monday, January 15, 2007 10:00 PM
>>>Subject: RE: Clarifying M issue with the 58, was Re: mic
>>>
>>>
>>> >
>>> > He's not an audio snob. I think he's right. You have to ask what is 
>>> > the
>>> > mic
>>> > going to be used for. All of the radio stations I have been in use 
>>> > very
>>> > expensive condenser mics. You can get a cheaper akg mic if it's for
>>> > broadcasting. You will get a wormer more professional sound. This info
>>> > comes
>>> > from the engineer at our local public radio station. Unfortunately, I
>>> > can't
>>> > afford one for my show at this time.
>>> >
>>> > On the other hand, I know several folk musicians who will use nothing
>>> > but
>>> > the sure mic. You can't just say that a mic is good or bad. You need 
>>> > to
>>> > evaluate what you want to use it for and then you need to look at your
>>> > budget...
>>> >
>>> > Just my opinion,
>>> >
>>> > Judy
>>> >
>>> >
>>> >
>>> > -----Original Message-----
>>> > From: [EMAIL PROTECTED]
>>> > [mailto:[EMAIL PROTECTED] Behalf Of Nick G
>>> > Sent: Monday, January 15, 2007 7:19 PM
>>> > To: PC audio discussion list.
>>> > Subject: Clarifying M issue with the 58, was Re: mic
>>> >
>>> >
>>> > By saying that it was over rated, i am not saying that something is
>>> > quote
>>> > unquote "wrong" audio-wise with the 58.  What i am saying is wrong 
>>> > with
>>> > the
>>> > 58 is its high price tag, which isn't justified.  Furthermore, and 
>>> > this
>>> > is
>>> > what pisses me off, is that, and i can back this up with many people,
>>> > people
>>> > seem to have a complex when they have their 58's in a studio setting.
>>> > They
>>> > think that htis is a shure mic, and because of the marketing hype
>>> > involved
>>> > with said shure mic, they feel they have the best of the best.  The
>>> > Quote
>>> > unquote "legendary" Shure SM58.
>>> >
>>> > the manufacturer's suggested retail price for a 58 is well over $99,
>>> > possibly $199.  the manufacturer's suggested retail price for an Audio
>>> > Technica Atr30 seems to have dipped from $79 down to $39, which is 
>>> > what
>>> > I've
>>> > seen it going for for years.  And the specifications are just as good,
>>> > and
>>> > the sound is up there to proove it.
>>> >
>>> > At the price of a 58, or possibly less, and I am perfectly qualified 
>>> > to
>>> > say
>>> > this because I've done it, you can get one hell of a condenser
>>> > microphone.
>>> > Look at anything made by cad and you'll see of what I speak.  But,
>>> > again,
>>> > the Shure SM58 is marketed as a classic.  It is.  It's a throwback to
>>> > the
>>> > days when there was no better value, without the price decrease that
>>> > would
>>> > befit a mic like the 58 based on how it sounds.  Now there is better
>>> > value
>>> > in the mic world.  Do your research before settling on market-hype,
>>> > because
>>> > market-hype will kill you.  It has done that to me.
>>> > ----- Original Message -----
>>> > From: "Chris Skarstad" <[EMAIL PROTECTED]>
>>> > To: "PC audio discussion list. " <[email protected]>
>>> > Sent: Monday, January 15, 2007 5:00 PM
>>> > Subject: Re: mic
>>> >
>>> >
>>> >> over-rated?????
>>> >> Absolutely nothing wrong with the Sure sm58.
>>> >> Man what an audio ssnob...
>>> >>
>>> >>
>>> >>
>>> >>
>>> >>
>>> >>
>>> >>
>>> >>
>>> >> At 03:49 PM 1/15/2007, you wrote:
>>> >>>Though let me tell ya, going from an MXL condenser mic like you had 
>>> >>>to
>>> >>>an
>>> >>>over-rated 58...Damn Sarah...
>>> >>>----- Original Message -----
>>> >>>From: "Sarah" <[EMAIL PROTECTED]>
>>> >>>To: "PC audio discussion list. " <[email protected]>
>>> >>>Sent: Monday, January 15, 2007 3:14 PM
>>> >>>Subject: Re: mic
>>> >>>
>>> >>>
>>> >>> > Hello. I am usng a shure sm58 for mine. YOu will need an xlr cable
>>> >>> > for
>>> >>> > that
>>> >>> > though.
>>> >>> >
>>> >>> >> I am looking for a good mic to use for internet radio
>>> >>> >> broadcasting.
>>> >>> >> Any ideas?
>>> >>> >>
>>> >>> >> Corey Cook
>>> >>> >> EMail:
>>> >>> >> [EMAIL PROTECTED]
>>> >>> >> MSN: [EMAIL PROTECTED]
>>> >>> >> AIM: goldadore922
>>> >>> >> BLOG: http://www.xanga.com/ciu_nice_guy
>>> >>> >>
>>> >>> >> Audio List Help, Guidelines, Archives and more...
>>> >>> >> http://www.pc-audio.org
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