Yep, that's why my gole now is the LS-100. It too does Blu-Ray quality. But
it's a true pro recorder. It's a bit like the famus Zoom H4N according to
those that have done pod casts on it. Shape wize anyways. I can't grasp that
idea. I don't understand how every thing goes on it. I've only touched a
Zoom H2 so I don't comprehend. One thing Neal did say which I found kind of
interesting was something to the effect that the reason the XLR connectors
stick out in the odd shape they do is because the recorder it self isn't big
enough for them. Interesting. Then why not make the recorder a bit bigger
then? But yeah. I want the LS-100.

-----Original Message-----
From: Pc-audio [mailto:pc-audio-boun...@pc-audio.org] On Behalf Of Aidan
Maher
Sent: Wednesday, May 22, 2013 9:10 AM
To: pc-audio@pc-audio.org
Subject: Re: olympus podcast

I agree, I also couldn't got hold of the ls7 at that time, but I'm glad I
didn't, as the newer models suit me better anyway. But yes the higher
quality is defnitly a matter here.

On 22/05/2013, Aidan Maher <aidan.smartt...@gmail.com> wrote:
> I suspect that the first link might not work, if not, try this one:
> https://www.dropbox.com/s/bapjdsas76so68b/Olympus%20dm620.mp3?v=0mcns
>
> On 22/05/2013, Aidan Maher <aidan.smartt...@gmail.com> wrote:
>> Hello everyone. As promised, I provide my podcast here about the 
>> dm620, hope it will be helpful for someone, and all feedback are 
>> welcome. https://www.dropbox.com/s/bapjdsas76so68b/Olympus%20dm620.m
>> p3
>>
>

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