Right which is easy enough with SF. It's a thing though if you do for
what ever reason end up with loads and loads of files. But the advantage
of Zooms and the Olympus LS-100 is that they recorde into folders.
Unlike the 14. Which records to the rute recorder folder but you must
then move them into either of the 3 folders later or 1 buy 1 as you
record or nabb them all off the card on your PC. By the way do the Zooms
keep your place? That's 1 other beef I have with the 14. It pops you out
of everything when you deactivate it. Not sure of the 100.
On 2/3/2017 8:05 PM, Dane Trethowan wrote:
Again I never saw that as a problem, all starting a new recording did
was create a new Wave file so all one had to do when editing was to
joint the two wave files together.
On 4/02/2017 11:34 AM, Hamit Campos wrote:
Ah yes that's still true. Yeah the H1 was kinda interesting. Thing
was you can't pause a recording. You can only stop and then start a
new 1.
On 2/3/2017 7:13 PM, Dane Trethowan wrote:
Oh yeah, before I forget. If I'm recording something noisey such as
a train going by then I turn the levels right down, the levels are
controled by their own separate up/down buttons and of course you
can monitor what the H1 is picking up through headphones.
On 4/02/2017 10:19 AM, Andy wrote:
Hi Hamit.
I've had my H6 for just over a year now and love it.
To be honest, I don't make too many menu adjustments without
sighted assistance.
I do loads of local recordings of bands and recently, my local
quire's anual performance and the quality of the H6 is astounding.
I can usually get the recording levels about right with my
headphones on.
I wish it did talk because that would be fantastic for someone like
mmyself who is total.
What I do get is a huge big kick when fully sighted people accept
my work on a thumb drive or CD. They think I'm fantastic, yet all
I am doing is chancing it on a wing and a prayer.
The H6 is very consistant and will not let you down at all and it's
great just how used to the device you get the more you use it.
As for settings and setting it up for phantom power then this is
something that I'd need sighted help for but so far all I've done
is use the Internal microphones so I'm only using 2 of the 6 tracks
which are available.
I'd love to buy a couple of Shure microphones on stands and start
really getting into the mix, but these are rather expensive, about
£100 for each of the 4 tracks that are there, so well above my budget.
I find that the internal microphones are good enough for what I want.
I'm recording 24 bit WAV at 196 Htz which is as good as blue ray,
so that's fantastic and you should hear what the H6 can do.
However, I've just very recently purchased a second hand Olympus
SL14, which is much smaller and perhaps more convienient for
recording a band, leaving the Zoom h6 for large public performances.
I'd love to hear from other h6 users who really know their stuff,
as I said, a wing and a prayer, but so far I'm getting away with it
and coming up with the goods for the people who want me to record
their stuff.
Hope this of help Hamit.
Very best wishes.
Andy.
From Scotland with Love.
----- Original Message ----- From: "Hamit Campos"
<hamitcam...@gmail.com>
To: "PC Audio Discussion List" <pc-audio@pc-audio.org>
Sent: Friday, February 03, 2017 9:34 PM
Subject: Using the H6
So folks, how are you all finding using the H6 or even the H5
completely blind? how are ya all dealing with the fact that it
doesn't even beep like the Olympus? Also how tricky is it to turn
phantum power on and or off having to dive threw menus blind? Have
you been able to get ussee to it and do it quite fast? Or does 1
have to be nice and slow and count menus? thanks
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