Hans-Christoph Steiner a écrit :
Honestly, I doubt you could tell the difference between 4ms and 14ms
in a blind test. There have been many studies on this. If you can
detect such tiny differences in onset time, you would be superhuman.
Normal humans start to detect a modulation above a difference about
25ms, not even a delay.
Anyway, a real instrumentist would obviously be able to play with any
amount of latency, and a real director should be able to coordinate
different instrumentists.
Take the violin section for example, the sound comes out from this
instrument group a long time after strings starts to be rubbed.
The location of different instrumentists in the concert room is also a
cast that the director shouldn't neglect if he don't want all
instrumentists to be loosed in a soup of delayed attacks caused just by
the sound's travelling in atmosphere.
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