On 2010-06-29 13:45, João Pais wrote:
> 
> well, how often do you use click tracks? do you have many pieces for
> instruments + conductor with complex metrics, and/or tempi changing at
> each bar e.g. as in the music of Ferneyhough, Emmanuel Nunes, Carter...
> are you familiar with these composers?
> the patch is available in my pd page for more than a year now, did you
> look at it?

what are you trying to say with this (apart from offending people's
musical background)?

> 
> I'm just being realistic, it's not a value judgement. If I had made a
> nice vocoder with online streaming, that would be much more interesting
> for this community.
> 

what's this nonsense about being "realistic"?
 on which grounds do you build your reality?
what's this nonsense about "this community"?
 what makes you think that this community prefers phase-vocoders over
compositional structures? the available help-patches? the fact that
there are few orchestral pieces presented at Pd-conventions?

i've been publishing software for years now, and i never tried to be
"realistic" before publishing it. some of this software has been
successfull (and is used by a lot of people; iirc, your click-tracker
uses some of my objects) and other has not.
pretty all of my code is highly domain-specific, and thus probably not
very appealing to you (are you interested in matrix maths? in graphics?
in click-tracks? in live-coding? in 3d-sound? in website rendering?).
still some of these domain specific things have found there comunity.

what i want to say is that you should not make assumptions about people
whom you don't know at all.


mfgadr
IOhannes

PS: funnily, i have been helping a bit with a click-track system for 35
independent (click-track wise) voices, using a Pd object i never thought
about in the context of click-track.

PPS: for what it is worth: i cannot remember you announcing anything
about your click-track patch in the past; even so, the webserver-logs
show that it has been downloaded about once per week. i don't think this
justifies as being totally unrealistic.

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