Hi everyone, 

A few weeks ago I did a temporary installation with Pd at the second 
International Conference on Deep Listening at RPI in Troy NY.   The piece 
involved two microphones going into a Pd patch I've been constructing/tweaking 
for a bit over a year, in which inputs go to multiple ring modulators and then 
to multiple pitch shifters, then to two delays and multiple outputs.  In this 
case, it was six ring mods and six pitch shifters, two delays, and four 
outputs.  All of the parameters (ring mod carrier frequency, % ring mod, pitch 
shift target, window size, pre-delay, post-delay send, panning in quad, 
post-delay time/regen/return) were randomized within ranges, and the times 
between random updates were themselves randomized for each parameter.  

I set up in a hallway so people would have to walk through it, and I'd invited 
people to make sounds, which worked well--people played with it, singing, 
clapping hands, using pocket ocarinas...maybe the most surprising sound was 
from percussionist and educator Leaf Miller, who tore a sheet of paper in front 
of the microphone--that was a great sound.   

One problem with the hallway, though was fighting the standing wave feedback; 
I'd put in a notch filter to deal with the root frequency.  But that got me 
thinking, since I'd had a performance coming up, that instead of fighting 
feedback, I'd embrace it the next time I'd use the patch.  These are recordings 
from this performance, in which the sound source was feedback from the PA I was 
performing through.  I used two mics, waving one them around in front of the PA 
while manipulating the mic gain, overall maximum update time, stopping some 
random updates, sometimes selecting static preset values.  I set up a lot of 
line objects for changing values, so generally the transitions were smooth, but 
they could happen quickly, particularly with the low max-time-to-next-update 
values. 

The performance is here: 
http://snwv.bandcamp.com/album/live-at-the-garfield-artworks-july-27-2014

But I also like a version that's slowed down to 1/4-speed (and dropped two 
octaves): http://snwv.bandcamp.com/album/july-27-2014-1-4-speed

Enjoy. 



Maurice Rickard
http://mauricerickard.com | http://onezeromusic.com | http://snwv.bandcamp.com




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