Deadline for Submission of Papers, Posters, Music, and Installations EXTENDED
to Sunday March 1st, 2015.
Please note that the deadline for Extended Abstracts will not be extended.
http://icad15.iem.at
The 21st International Conference on Auditory Display
July 6 - 7 Workshops and Student Think Tank
July 8 - 10 Conference
University of Music and Performing Arts and Technical University of Graz,
Austria.
::::::::::::::::: KEY DATES :::::::::::::::::
01 March 2015 Submission of Papers, Posters, Music,
and Installations
15 March 2015 Submission of Workshops
15 April 2015 Submission of Extended Abstracts
15 April 2015 Notification of acceptance for
Workshops
01 May 2015 Notification of acceptance for
Papers, Posters, Music, and Installations
15 May 2015 Notification of acceptance for
Extended Abstracts
01 June 2015 Camera-Ready deadline
::::::::::::::::: AREAS OF INTEREST :::::::::::::::::
Relevant areas for ICAD include but are not limited to:
Auditory Display:
- Aesthetics, Culture, & Philosophy
- Design, Theory & Methods
- Technology: Tools & Applications
- Perceptual and Cognitive Aspects
- Usability & Evaluation
- Accessibility
Special Focus of ICAD15:
- Sonification:
- Exploration of Data through Sound
- Sonification as Art
- Sonic Interaction Design
- Interaction design
- Input technologies
- Auditory Information Design
- Spatial Audio
- Binaural virtual acoustics
- Loudspeaker-based sound field synthesis
Accepted papers will be included in the published proceedings and made publicly
available in the Georgia Tech SMARTech system (http:// smartech.gatech.edu/).
The types of submissions solicited for ICAD15 include:
::::::::::::::::: PAPERS AND POSTERS:::::::::::::::::
Paper and poster submissions will be 4-8 pages in length, including all
figures and references. Typical paper contributions are between 6 - 8 pages,
and typical poster contributions are 4 - 5 pages long. Full papers should
describe work that offers a substantial contribution to the field of auditory
display. Authors of accepted papers will be invited to give an oral
presentation of their work, and at least one author must present the work at
the conference for the paper to appear in the proceedings. Poster submissions
should describe both finished work and work in late stages of progress. Work
that is complete enough that meaningful conclusions can be drawn at the time of
submission are encouraged. Authors of accepted submissions will be invited to
participate in a poster and/or demonstration session, and at least one author
must present the work at the conference for the paper to appear in the
published proceedings. When weighing the decision to submit to poster and
demonstration sessions, we encourage authors to consider their work in relation
to the potential positive benefits (both to authors and their audiences)
afforded by the personal interactions that occur in this type of session.
Authors of selected full papers will be invited to submit an extended version
(up to 12 pages) of their papers for publication in a Special Issue of the
Journal on Multimodal User Interfaces (JMUI): Auditory Display.
(http:// www.springer.com/computer/hci/journal/12193)
::::::::::::::::: EXTENDED ABSTRACTS :::::::::::::::::
Extended abstracts include, but are not limited to late-breaking results, works
in early stages of progress, novel methodologies, unique or controversial
theoretical positions, and discussions of unsuccessful research or null
findings. Submissions for extended abstracts require a proceedings paper of up
to 2 pages in length. Authors of accepted abstracts will be invited to give a
short presentation of their work, and at least one author must present the work
at the conference for the abstract to appear in the published proceedings. The
deadline of the extended abstracts is later to allow very recent contributions
in the field.
Papers Co-Chairs
Visda Goudarzi and Areti Andreopoulou
[email protected]
::::::::::::::::: MUSIC AND INSTALLATIONS:::::::::::::::::
We invite submissions of music and sound installations. Sonification should be
a constitutive element of the proposed works. Priority will be given to works
employing space and interaction as additional dimensions to an artistic data
exploration. We therefore especially encourage the submission of multichannel
electroacoustic or acousmatic pieces and interactive sound installations.
The works will be reviewed by an international panel of sound and sonification
experts. Preference will be given to submissions that are technically feasible
and have a clear documentation of the setup. At least one of the authors who
wish to have their works presented at ICAD15 must register and attend to the
conference. As we would like to extend the presentation of these works beyond
the time limits of the conference, authors of accepted works are encouraged to
present their work also online using the Research Catalogue
(http://www.researchcatalogue.net), an international database for artistic
research. The conference page will provide a portal to these presentations.
Music Co-Chairs
Johannes Zmölnig, Ypatios Grigoriadis, and Gerhard Eckel
[email protected]
We will provide child care during the conference and workshops. If you travel
with a kid/ kids please drop us an email ahead of time.
For more information on submission in different categories please refer to the
conference website: http://icad15.iem.at
Conference Co-Chairs: Katharina Vogt and Ypatios Grigoriadis
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