Try using [slide~] after a sample and hold, it'll make some nice portamento sounds, some synths have that feature.
[sah~] has a different behaviour where you can set the trigger threshold, you can use [noisi~] to trigger it randomly while using it for something else as well. [noish~] is like a noise into a sample and hold, you can think noish~ as "noise hold" cheers 2015-04-16 9:20 GMT-03:00 Pagano, Patrick <[email protected]>: > Thank you everyone, Bill yours is that classic S&H sound i was looking > for I did randomize the osc~ too and it sounds even better like you > suggested > > the line~ helps alot too. > > > *Patrick Pagano B.S, M.F.A* > Audio and Projection Design Faculty > Digital Worlds Institute > University of Florida, USA > (352)294-2020 > ------------------------------ > *From:* i go bananas <[email protected]> > *Sent:* Thursday, April 16, 2015 1:49 AM > *To:* William Huston > *Cc:* Pagano, Patrick; [email protected] > *Subject:* Re: [PD] examples of classic Sample and Hold > > for sample-and-hold, as it is usually implemented for pitch in a synth, > you actually don't even NEED to use the samphold~ object! you can just use > a metro to simulate the clock, and then a random to simulate the noise > input (that's what was usually used for synth sample and hold madness). > > > [metro 125] > | > [random 5000] > | > [/ 100] > | > [+ 40] > | > [mtof] > | > [phasor~] > | > [*~ 2] > | > [-~ 1] > > likewise, you can use the same process for sample and hold on a filter > by just adding a short [line~ 10] after the [mtof] and feeding that into > the 2nd inlet of [vcf~] > > or of course, you could run one process on the pitch and another on the > filter, but just make sure to use a slightly different random number base > to make them independent, > > > > On Thu, Apr 16, 2015 at 10:37 AM, William Huston <[email protected] > > wrote: > >> As I understand it, a classic sample and hold >> is capturing the instantaneous input voltage >> of an incoming signal, and remembering it. >> >> [metro 5] >> [adc~] >> |/ >> [snapshot~] >> | >> [f] >> >> The [metro 5] is also banging on the [snapshot~]'s hot inlet >> with [adc~] if want samples at 5ms intervals. >> >> However, these days, in my own mind at least, >> I think about "sample and hold" as meaning, >> "read a few seconds of audio from a source >> into a memory, and loop it." I don't know if others >> think this way also. >> >> That would be a more complex circuit. >> >> BH >> >> >> >> >> >> On Wed, Apr 15, 2015 at 6:36 PM, Pagano, Patrick < >> [email protected]> wrote: >> >>> Hello Everyone >>> >>> >>> I am wondering if people would be willing if they have an example of >>> Sample and Hold to use for a project i am working on. >>> >>> I am interested in the classic sounding Sample and Hold insanity please >>> share a patch if you have one so i may learn on how to make one properly >>> >>> the one in the help files is not the kind i am talking about >>> >>> >>> i hope this makes sense >>> >>> >>> pp >>> >>> >>> *Patrick Pagano B.S, M.F.A* >>> Audio and Projection Design Faculty >>> Digital Worlds Institute >>> University of Florida, USA >>> (352)294-2020 >>> >>> _______________________________________________ >>> [email protected] mailing list >>> UNSUBSCRIBE and account-management -> >>> http://lists.puredata.info/listinfo/pd-list >>> >>> >> >> >> -- >> -- >> May you, and all beings >> be happy and free from suffering :) >> -- ancient Buddhist Prayer (Metta) >> >> Don't forget to sign the >> >> *Pledge to Resist * >> >> *the Constitution Pipeline: * >> >> - *The Pledge: TinyURL.com/Pledge2ResistCP >> <http://TinyURL.com/Pledge2ResistCP>* >> - *More info: TinyURL.com/Pledge2ResistCP1 >> <http://TinyURL.com/Pledge2ResistCP1>* >> >> >> _______________________________________________ >> [email protected] mailing list >> UNSUBSCRIBE and account-management -> >> http://lists.puredata.info/listinfo/pd-list >> >> > > _______________________________________________ > [email protected] mailing list > UNSUBSCRIBE and account-management -> > http://lists.puredata.info/listinfo/pd-list > >
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